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The Best Things to Do in St. Louis This Weekend, November 2 to 5 | Arts Stories & Interviews | St. Louis

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click to enlarge COURTESY EMILY THENHAUS Saint Boogie Brass Band will lead a second line parade as part of the Cherokee Street Jazz Crawl this Saturday.

Thursday 11/02

Medium MattersYou can go see a band, a comedian or play any night in this town. But how often can you see an actual TV psychic work her magic live on stage at one of the city’s best venues? Well, this Thursday, November 2, you’ll get the chance to do just that when Theresa Caputo takes the stage of the Stifel Theatre (1400 Market Street, 314-499-7600). Caputo, who starred on the TLC show Long Island Medium and has written several books on the “other side,” is bringing her conversations with the dead to the world of the living as part of a national tour. And while plenty of skeptics in the scientific community suggest — probably correctly! — that such performances are little more than a con, as long as you know what you’re getting into going in, there is surely plenty of entertainment to be had. Tickets start at $44.75, and the show begins at 7:30 p.m. Find more info at stifeltheatre.com.

Kenough AlreadySt. Louis’ Dr. Ken Haller plays many roles: an improv actor, an acclaimed cabaret singer, a pediatrician. But at the end of the day, he’s “just Ken” and all that encompasses. On Thursday, November 2, Haller will kick his Ken-ness into high gear and celebrate his 69th birthday at the Blue Strawberry (364 North Boyle Avenue, 314-256-1745) with the show Ken Haller: I’m Just Ken! Haller will offer life lessons we can only learn as we grow older, addressing such quandaries as, “What happens when your name is Ken, and you meet Barbie, but you realize that you’d rather be with Bobby?” Only a seasoned cabaret artist could answer that question with sufficient wisdom and flare. Woven into Haller’s personal story will be his performances of standards by Johnny Mercer, Cole Porter, William Finn and many more. Tickets cost $25 for table seating and $20 for the bar. More info at bluestrawberrystl.com.

Friday 11/03

Me Da Mi CalaveritaEager to keep the Halloweentime fun going, but want to learn how other countries celebrate? On Saturday, November 4, and Sunday, November 5, the Missouri History Museum (5700 Lindell Boulevard, 314-746-4599) will host a vibrant festival of Latin American culture in honor of the Day of the Dead. The Dia De Los Muertos Festival & Celebration of Hispanic Culture will feature live outdoor performances from a variety of dancers and musicians including the San Juan Diego Dancers and Manos Pan America. While you listen, you can create a souvenir print in honor of a loved one or head over to the craft tables to fold your own Catrina paper doll or tissue-paper papel picado. Let your inner child shine through with face painting and bilingual Spanish-English storytelling. On Saturday, the event will culminate in a short procession through Forest Park. The event is free to attend and will run from 11 a.m. to 7 p.m. on Saturday and from 11 a.m. to 5 p.m. on Sunday. Visit mohistory.org/dia-de-los-muertos for a detailed event schedule.

No Place Like HomeWe all know the story: In The Wizard of Oz, the tornado-stranded Dorothy follows Oz’s yellow-brick road to its capital, the Emerald City, in order to find a way home. Along the way she makes true friends, overcomes challenges and gets her steps in. If the story had been set in St. Louis instead of Oz, it would probably be at least a little bit different. (For example, it surely would have been a red-brick road with materials dug straight from the banks of the Big Muddy.) But St. Louisans don’t have to imagine what might have been an alternate version of the film much longer. Instead, they can just head over to the new immersive pop-up bar Emerald City. Taking over Lemmons Restaurant (5800 Gravois Avenue, 314-899-9898) beginning on Friday, November 3, Emerald City will take visitors on a 90-minute trip “in the magical land of Oz.” That translates to immersive art and theater, plus two themed cocktails and an appetizer, per $40 ticket. The pop-up is only for those 21 and older, and show times vary. Expect the pop-up to stay for about two months. More details and tickets at infinitewonderproductions.com.

Saturday 11/04

Comfort ZoneIt’s easy to comprehend what dishes qualify as comfort food upon first sight, even if you’ve never tried them. Usually they are some shade of beige, and invariably they are covered in some kind of sauce or gravy. The culinary stars of south city’s Slovak Fest — chicken paprikash and holubky (cabbage rolls) — definitely qualify. They’re warm, casserole-type offerings that with one bite will send you straight back to your grandma’s kitchen table. Slovak Fest coordinator Joyce Kolnik even calls their holubky the “King of the Cabbage Rolls,” so don’t feel like you have to take an alt-weekly’s irreverent word for it. But if those two endorsements aren’t enough to convince you, there’s only one thing to do: On Saturday, November 4, get down to St. Lucas Evangelical Church (7100 Morgan Ford Road) and try them, along with rosky (a crescent-shaped cookie), Slovak beer and stollen (sweet stuffed bread), for yourself. The fest is free to attend and kicks off at 11 a.m. Most of the profits go to the church for repairs or other unexpected expenses. More details at stlucaslcms.org/event/slovak-fest.

All That JazzCherokee Street is always hosting great events, but the 11th Annual Cherokee Street Jazz Crawl will be something extra special. Running all day long on Saturday, November 4, the Jazz Crawl will feature dancers and musicians performing both inside and outside the many shops on Cherokee Street. The festive atmosphere encourages visitors to join in and dance in a second line parade, too. The event is hosted by the Cherokee Street Foundation and organized by noted swing/jazz dance instructor and musician Christian Frommelt, so expect a huge turnout and great music and performances. (The Facebook event alone shows that 6,500 people are interested in attending, so you know the party is going to be poppin’.) The fun kicks off at 10 a.m. and runs all day, with a grand finale dance battle and a performance by Blvck Spvde & the Cosmos at the Golden Record (2720 Cherokee Street). Attendance is free for all but the finale, which will set you back $15. Full schedule at cherokeestreet.com/jazz. Make sure to wear your dancing shoes.

Sunday 11/05

Best Foot ForwardLet’s face it, the only dance concerts most of us have seen on stage are that cheesy Michael Flatley crap or The Nutcracker. Don’t limit yourself! If you’re not ready for something artsy and local, you could do worse than Derek Hough: Symphony of Dance. The eponymous Dancing with the Stars veteran and older sibling of fellow dancing celeb Julianne Hough can hoof it in myriad styles, from Latin to ballroom to contemporary. It’s Hough’s first time taking the show on the road in four years, and tickets for the Sunday, November 5, show at Stifel Theatre (1400 Market Street, 314-499-7600) start at just $26.50 (though undoubtedly Ticketmaster will make sure to double that with fees). The evening begins at 7 p.m. and also includes the pleasures of a live band. Head to stifeltheatre.com for tickets and more details.

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Five Fun Facts About Busch Stadium You Didn’t Know

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When baseball fans roll into St. Louis, Busch Stadium often tops their must-see list. But this iconic ballpark has more hidden gems beyond baseball — and even beyond its souvenir shops and good hotdogs. Here’s a lineup of interesting facts that’ll make you the MVP in Busch Stadium trivia.

From Ballpark to Brewing Brand Deal

A 1900 postcard showing the Oyster House of Tony Faust, founder of the brewing firm | Courtesy Anheuser-Busch.

Busch Stadium has a past that’s more refreshing than a cold beer. Before becoming the shrine of Cardinals baseball, it was a multipurpose park called Sportsman”s Park in 1953. Anheuser-Busch, the brewing giant that owned the Cardinals for a time, purchased the stadium and called it Busch Stadium.

Talk about brewing a partnership with a home run!

Museum for Baseball Maniacs

One can explore unique stadium models, step into the broadcast booth to relive Cardinals’ historic moments and hold authentic bats from team legends in this Museum | Courtesy Cardinals Nation

The St. Louis Cardinals Hall of Fame and Museum is an 8,000-square-foot tribute to baseball’s rich history. Opening on the Cardinals’ 2014 Opening Day, this shrine charts the team’s stories from its 1882 beginnings when it was still called the American Association Browns. Here, you can revel in the team’s 11 World Series Championships and 19 pennants. And if you’re feeling adventurous, watch the game from the museum’s roof—the Hoffmann Brothers Rooftop—complete with a full-service bar and an all-you-can-eat menu. It’s like VIP seating, but with more hot dogs.

Even the Fans Break World Records

Busch Stadium is more than a ballpark; it’s a record-breaking arena.

In one memorable event, Nathan’s Famous set a Guinness World Record for the most selfies taken simultaneously—4,296, to be exact. Just imagine trying to squeeze all those selfies into a single frame!

Not to be outdone, Edward Jones and the Alzheimer’s Association formed the largest human image of a brain on the field in 2018. With 1,202 people, the image was like a giant, multi-colored brain freeze.

1,202 people gathered in centerfield at Busch Stadium to form a multi-coloured brain image | Screenshot from Guinness World Records.

The MLB Park in Your Backyard

Are you an avid Cardinals fan, thinking about living near the stadium? The cost of living in the area might be in your favor.

A 2017 study by Estately.com shows that media prices for homes around Busch Stadium is the fourth least expensive among around 26 major MLB stadiums. When San Francisco Giants fans have to pay up $1,197,000 that year for the same convenience of catching a game at a walking distance, Cardinal fans can snag real estate at only $184,900. If that’s not a walk-off win of a deal, we’re not sure what is.

Big Cleats to Fill as Busch Stadium Eyes Expansion

Those wanting to invest in property near Busch Stadium better get it while it’s still affordable. Rumor has it Busch Stadium could soon expand. That rumor has been going around for three decades since talks to raise public money allegedly started. We’ll believe it when we see it.

According to Cardinals owner Bill DeWitt III, plans are likely to mirror recent projects for the Milwaukee Brewers and Baltimore Orioles, with price tags hovering around $500 to $600 million. But the real investment is still up for debates pending a concrete cost-benefit analysis on the stadium’s surrounding area.

So the next time you kick back with a cold beer and catch a game at Busch Stadium, be in awe of the fact there’s more to the place than what meets the batter’s eye. Pitch these interesting facts at trivia night or to your Hinge date who’s new in town. Who knows – you might just win a home run beer.

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Nashville Police Officer Arrested for Appearing in Adult Video

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A Nashville police officer, Sean Herman, 33, has been arrested and charged with two counts of felony official misconduct after allegedly appearing in an adult video on OnlyFans while on duty. Herman was fired one day after detectives became aware of the video last month.

The video, titled “Can’t believe he didn’t arrest me,” shows Herman, participating in a mock traffic stop while in uniform, groping a woman’s breasts, and grabbing his genitals through his pants. The officer’s face is not visible, but his cruiser, patrol car, and Metro Nashville Police Department patch on his shoulder are clearly visible.

The Metro Nashville Police Department launched an investigation immediately upon discovering the video. The internal investigation determined Herman to be the officer appearing in the video. He was fired on May 9 and arrested on June 14, with a bond set at $3,000.

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Jane Smiley’s New Novel, Lucky, Draws on Her Charmed St. Louis Childhood

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Like any good St. Louisan, Jane Smiley has an opinion on the high school question.

“If you ask somebody in St. Louis, ‘Where did you go to high school’ — because each school is so unique, you do get a sense of what their life was like and where they live,” says the John Burroughs graduate. “Where are you from? What do you like? And, you know, the answer is always interesting.”

That’s pretty much what Jodie Rattler, the main character of Smiley’s latest novel, Lucky, thinks.

“School, in St. Louis, is a big question, especially high school,” Rattler muses toward the start of the story. “… My theory about this is not that the person who asks wants to judge you for your socioeconomic position, rather that he or she wants to imagine your neighborhood, since there are so many, and they are all different.”

This parallel thought pattern is even less of a coincidence than the author/subject relationship implies. Lucky, which Alfred A. Knopf published last month, is nominally the story of Jodie, a folk musician gone fairly big who hails from our fair town. But the book is more than just its plot: It’s an ode to St. Louis and an exploration of the life Jane Smiley might have lived — if only a few things were different.

The trail to Lucky started in 2019, when Smiley returned here for her 50th high school reunion and agreed to a local interview. The radio host asked why she’d never set a novel in St. Louis.

“I thought, ‘Boy, why haven’t I done that?'” Smiley remembers. “And so then I thought, ‘Well, maybe I should think about it.’ And I decided since I love music, and St. Louis is a great music town, that I would maybe do an alternative biography of myself if I had been a musician, and of course I would say where she went to [high] school. So that’s what got me started. And the more I got into it, the more I enjoyed it.” click to enlarge DEREK SHAPTON Jane Smiley rocketed to literary stardom after winning the Pulitzer Prize for fiction for A Thousand Acres. She now has more than 25 books to her name.

The Life Jane Smiley Didn’t Live

Jane Smiley has always felt really lucky.

First, there was her background: She grew up with a “very easygoing and fun family.” Growing up in Webster Groves, she enjoyed wandering through the adjacent neighborhoods and exploring how spaces that were so close together could have such different vibes.

Then there was her career, which kicked into gear when she was 42 with the publication of A Thousand Acres, a retelling of King Lear set on a farm in Iowa. It won the National Book Critics Circle Award for fiction in 1991 and the Pulitzer Prize for fiction in 1992. It became a movie and, two years ago, an opera. Since then, she’s been steadily publishing and now has more than 25 books to her name.

“I was lucky in the way that my career got started,” Smiley says. “It was lucky in a way that it continued. I was lucky to win the Pulitzer. And I really enjoyed that. I said, ‘OK, I want to write about someone who’s lucky, but I don’t want it to be me. Because I want to contemplate the idea of luck, and see how maybe it works for somebody else.'”

click to enlarge

Both the book, and Jodie’s good luck, start at Cahokia Downs in 1955. Jodie’s Uncle Drew, a father stand-in, takes her to the racetrack and has her select the numbers on a bet that turns his last $6 into $5,986. She gets $86 of the winnings in a roll of $2 bills.

Smiley, a horse lover throughout her life, used to love looking at the horses at the racetrack before she understood how “corrupt it is at work.” (She also reminisces about pony rides at the corner of Brentwood and Manchester across from St. Mary Magdalen Church and riding her horse at Otis Brown Stables.)

Unlike Smiley, Jodie is not a horse person. And at first, Jodie feels somewhat disconnected from her luck — it’s something other people tell her that she possesses. She’s lucky to live where she does. She’s lucky that her mom doesn’t make her clear her plate, that her uncle has a big house, that she gets into John Burroughs. Later, she begins to carry those bills around as a talisman.

“[I] made a vow never to spend that roll of two-dollar bills — that was where the luck lived,” Jodie thinks after a narrow miss with a tornado.

It’s John Burroughs that changes Jodie’s life, just as it did Smiley’s. But instead of falling in love with books in high school and becoming a writer, Jodie falls into music. She eventually gets into songwriting, penning tunes as a sophomore at Penn State that launch her career.

One of Jodie’s songs should instantly resonate for St. Louis readers.

“The third one was about an accident I heard had happened in St. Louis,” Jodie recalls in the book, “a car going off the bridge over the River des Peres, which may have once been a river but was now a sewer. My challenge was to make sense of the story while sticking in a bunch of odd St. Louis street names — Skinker, of course, DeBaliviere, Bompart, Chouteau, Vandeventer. The chorus was about Big Bend. The song made me cry, but I never sang it to anyone but myself.”

Throughout the book are Jodie’s lyrics, alongside the events that inspire them. Writing them was a new experience for Smiley, who found herself picking up a banjo gifted by an ex and strumming the few songs she’d managed to learn, as well as revisiting the popular music of the novel’s time — the Beatles (George is Smiley’s favorite), Janis Joplin and the Traveling Wilburys, along with Judy Collins, Joan Baez, Joni Mitchell, and Peter, Paul and Mary — basically “all the folk singers.”

“I really love music, and I do wish I’d managed to practice, which I was always a failure at,” Smiley says. “… I liked that they made up their own lyrics, and they made their own music, and I was impressed by that.”

Both Smiley and Jodie grew up in households replete with record players and music. It’s one of their great commonalities.

A great difference between the two? That would be sex. At one point, Jodie compares her body count, which she calls the “Jodie Club,” with a lover — 25 (rounded up, Jodie notes) to his 150.

“That was a lot of fun,” says Smiley. “She learns a lot from having those affairs, and she enjoys it. She’s careful. And I like the fact that she never gets married, and she doesn’t really have any regrets about that.” (Smiley has been married four times.) “In some sense, her musical career has made her want to explore those kinds of issues of love and connection and sex and the way guys are.”

You can tell Smiley had a good time writing this. After Jodie loses her virginity, she thinks, “The erection had turned into a rather cute thing that flopped to one side.”

“Oh, it was fun,” Smiley confirms. “Sometimes I would say, ‘OK, what can I have Jodie do next? What’s something completely different than what I did when I was her age?’ And then I’d have to think about that and try and come up with something that was actually interesting. I knew that she couldn’t do all the things that I had done, and she had to be kind of a different person than I was. And so I made her a little more independent, and a little more determined.”

click to enlarge VIA THE SCHOOL YEARBOOK Jane Smiley’s high school yearbook photo. In Lucky, Jodie recalls of a classmate, “The gawky girl had stuck her head into a basketball basket, taken hold of the rim, and her caption was, ‘They always have the tall girls guard the basket.'”

Lucky follows Jodie from childhood to into her late 60s. At several points in the novel, she crosses paths with a Burroughs classmate, identified only as the “gawky girl.” Jodie takes note of her former classmate, but she’s not recognized.

Toward the end, Jodie walks into Left Bank Books and sees the gawky girl’s name on the cover of a novel.

“Out of curiosity, I read a few things about the gawky girl. Apparently she really had been to Greenland, and the Pulitzer novel was based on King Lear, which I thought was weird, but I did remember that when we read King Lear in senior English, I hadn’t liked it,” Jodie thinks. “… I remembered walking past her in the front hall of the school, maybe a ways down from the front door. She was standing there smiling, her glasses sliding down her nose, and one of the guys in our class, one of the outgoing ones, not one of the math nerds that abounded, stopped and looked at her, and said, ‘You know, I would date you if you weren’t so tall.'”

Sound familiar? Does it help to know Smiley is 6’2″?

The doppelgangers meet face to face after their 50th Burroughs’ reunion at the Fox and Hounds bar at the Cheshire. To go into what happens next — it’s too much of a spoiler.

“In every book, there’s always a surprise,” Smiley says. click to enlarge ZACHARY LINHARES Smiley enjoys St. Louis place names, and DeBaliviere is one of many in the novel.

Jodie Rattler’s St. Louis

Lucky is a smorgasbord of familiar names and places for St. Louis readers, and picking them out will be a big part of the joy of the book for locals.

“I love many things about St. Louis — not exactly the humidity, but lots of other things,” Smiley says. “One of the things I love is how weird the street names are. So I had to put her in that house on Skinker, and I had to refer to a few other places that are kind of weird. I couldn’t fit them all in.

“But I love the way that those street names and St. Louis are a real mix, and some of them are true French street names. Some of them are true English street names. Like Grav-wah or Grav-whoy” — here she deploys first the French and then the St. Louis version of “Gravois” — “whatever you want to call it, and Clark. It’s just really interesting to look around there and sense all of the different cultures that lived there and went through there.”

Jodie grows up in a house on Skinker near Big Bend. It’s “a pale golden color, with the tile roof and the little balcony,” Smiley writes. Jodie walks through Forest Park and eats at Schneithorst’s. Her mother works at the Muny; she shops at Famous Barr. Her grandfather prefers the “golf course near our house on Skinker,” which must be the Forest Park course. Jodie goes to Cardinals games, the Saint Louis Zoo and Grant’s Farm. She visits and thinks about St. Louis’ parks such as Tilles and Babler. Even the county jail in Clayton gets a mention.

Of course, Chuck Berry shows up several times, first mentioned for getting “in trouble for doing something that I wouldn’t understand.” Later, as Jodie drives by his home, she drops some shade on the county along the way: “Aunt Louise knew where Phyllis Schlafly’s house was, so I drove past there — another reason not to choose Ladue,” she writes.

Jodie and the man who invented rock & roll later meet face-to-face briefly at a festival near San Jose, California. “My favorite parts were getting to walk up to Chuck Berry and say, ‘I’m from St. Louis, too. Skinker!’ and having him reply, ‘Cards, baby!’ and know that no one nearby knew what in the world we were talking about,” Jodie recalls.

Lucky feels like a bit of a members-only club, and here the club is St. Louis. There is barely a page that is without some kind of reference — to the point where one might wonder if non-locals can even keep up. (Though they should rest assured: It’s a good read.)

“I write more or less to do what I want to do, and so I wrote about the things that interested me,” Smiley says. And more than 50 years after she graduated high school and left Webster Groves for Iowa and (briefly) Iceland and California, where she lives today, St. Louis, clearly, qualifies.

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