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The Best Things to Do in St. Louis This Weekend, February 2 to to 5 | Arts Stories & Interviews | St. Louis
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click to enlarge VIA CITY MUSEUM City Museum’s Tunnel of Love is the perfect place for Valentine’s Day pictures.
Thursday 02/02
Get Stumped
Are you tired of softball trivia with way-too-easy questions like, “In what city is Escape from L.A. set?” Then Impossible Trivia, written and hosted by Pancake Master Rob “Googz” Severson at the Crack Fox (1114 Olive Street) this Thursday, February 2, is for you. The trivia night bills itself as “designed to astound, gobsmack, flummox, baffle, bamboozle, and vex.” In most trivia contests, the winning team is the one who only got one or two questions wrong. But with Impossible Trivia, the winning team is likely to have only gotten one or two right. It’s like powerlifting for your brain. It’s also a great chance for you and your friends to have a couple of drinks as you come to realize all the arcane knowledge you had no idea you didn’t know. Admission is free, and the impossible questions start at 8:30 p.m.
Friday 02/03
Get Swifty
Celebrating Taylor Swift has practically become a national pastime. All across the country there are young fans locked away in their bedrooms worshiping at the altar of Miss Swift and dropping snake emojis in comments on Instagram. But local Swifties don’t have to go at it alone for much longer because on Friday, February 3, the Hawthorn (222 Washington Avenue) is hosting Long Live: A Taylor Swift-Inspired Dance Party. At this event, Swifties can assemble to praise all of Swift’s eras, from her innocent curly haired country days to her “Ready For It” vixen days and on through to the secrets spilled in Midnights. The event will include a costume contest, lip-synching, trivia and will offer plenty of selfie opportunities, too. Come together, gaylors and hetlors, and everyone can feel “happy, free, confused and lonely at the same time.”
Use the (Tuning) Forks
One of film’s greatest music scores in recent years is coming to St. Louis. This Friday, February 3, the St. Louis Symphony will perform the music of Star Wars: The Force Awakens under the direction of conductor Norman Huynh. The score will come from legendary composer John Williams, who is also known for the Indiana Jones, Jurassic Park and Jaws soundtracks. Williams’ work on The Force Awakens earned him multiple awards, including an Oscar for Best Original Score and a Grammy for Best Score Soundtrack for Visual Media. The concert runs at Powell Hall (718 North Grand Boulevard) through the weekend from Friday to Sunday. Tickets range from $50 to $93, depending on location. For more information, visit slso.org.
B as in Black Light
Combine your love of black lights with your passion for the gambling habits of the geriatric with Glo Bingo, surely the trippiest way to keep your mind from going soft in your twilight years (or otherwise). Indeed, as noted by its official website, Glo Bingo is “not your Grandma’s bingo,” and instead features glowing dabbers, hats and bingo cards, as well as plenty of music, dancing and sing-alongs. This Friday, February 3, and Saturday, February 4, the fun comes to Tribout’s Belle Vegas Bingo Hall (517 South Illinois Street, Belleville, Illinois) to benefit the Belleville Area Humane Society. Tickets are $25 in advance or $30 at the door, and come with six cards for 10 games. In addition to the heated competition, the event will feature a cash bar, and guests are encouraged to bring their own snacks. Felt Dr. Seuss hats and glow-in-the-dark alien masks not provided but strongly encouraged. For more information, visit bahspets.org/event/glo-bingo.
Lift Your Voice
Out of all activities that could be made better with alcohol, most people already know singing is chief among them. But instead of your drunk ass singing in bars or other places where no one wants to hear you, Das Bevo (4749 Gravois Avenue) will host you for a night for Beer Choir, where your slurred, drunken croons are not only tolerated but encouraged. Beer Choir is a no-talent, no-experience-required event where patrons lift their voices and glasses in song. Musical selections include German and Irish drinking songs from Das Bevo’s Beer Choir Hymnal. Festivities kick off this Friday, February 3, at 7 p.m. More info at dasbevo.com.
Saturday 02/04
One Night Only
Damien Sneed has made his name by mixing the spiritual and the classical, bringing jazz and gospel together with genres previously dominated by dead (or very old) white Europeans. The result is nothing short of dazzling — and so when Sneed comes to town, music lovers pay attention. This Saturday, February 4, he comes for a one-night-only performance of his Our Song, Our Story: The New Generation of Black Voices. By paying tribute to his mentor Jessye Norman and the great midcentury contralto Marian Anderson, Sneed offers an evening of dazzling arrangements of both arias and spirituals, presented in conjunction with Opera Theatre of St. Louis. Sneed will be at the piano, with vocals from Jacqueline Echols and Justin Austin. (Fun fact: The talented Austin played the lead role in Fire Shut Up in My Bones at the Metropolitan Opera — a show that debuted at, yes, Opera Theatre of St. Louis.) The bill at the Sheldon (3648 Washington Avenue) includes songs by Mozart, Handel, Puccini and Strauss, but also Gershwin, Henry T. Burleigh and Sneed himself. Tickets are $36 to $46. More info at thesheldon.org/events/our-song-our-story.
Dance of Death
If you like delightfully macabre, witchy-gothic vibes and belly dancing, then the Bleeding Hearts Ball is for you. The ball first started in 2008 and has been going strong for 15 years. The evening includes dance performances by numerous artists — including Mistress of the Night Ami Amore and the infamous Lunar Fusion Dance — as well as off-beat vendors, food and drink, with music courtesy of DJ Skeletal. Check out the fête at the Mad Art Gallery (2727 South 12th Street) this Saturday, February 5. Doors open at 7 p.m., and the show starts at 8 p.m. Attendees must be 21 and up, and tickets are $25 to $70. For more information, visit amiamore.com/bleeding-hearts-ball.
Sunday 02/05
City Museum Is For Lovers
Not only is the City Museum (750 North 16th Street) one of the best places in St. Louis to have a little fun all year round, it also goes all-out for the holidays. This year, it’s going to be all dressed up for Valentine’s Day and ready to treat you and your lover right! They even have activities for kids planned, too, so that nobody feels left out. During the entire month of February, the museum’s enchanting Tunnel of Love light exhibit inside the Vault at the City Museum will be open and functioning as the hottest spot in town for couples’ photos. And the cozy little cabin bar outside will be transformed into Cupid’s Cuddle Cabin, featuring themed cocktails, Valentine’s Day decor and love songs on the playlist. Adorable. In addition to all of this, there’s going to be even more Valentine’s Day fun to be had at the City Museum, throughout the month. From craft time to a Galentine’s Day brunch to a performance from “Elvis Presley,” your favorite tourist attraction in St. Louis will become Love Headquarters until March. For a full schedule of Valentine’s Month events, visit citymuseum.org.
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Five Fun Facts About Busch Stadium You Didn’t Know
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When baseball fans roll into St. Louis, Busch Stadium often tops their must-see list. But this iconic ballpark has more hidden gems beyond baseball — and even beyond its souvenir shops and good hotdogs. Here’s a lineup of interesting facts that’ll make you the MVP in Busch Stadium trivia.
From Ballpark to Brewing Brand Deal
A 1900 postcard showing the Oyster House of Tony Faust, founder of the brewing firm | Courtesy Anheuser-Busch.
Busch Stadium has a past that’s more refreshing than a cold beer. Before becoming the shrine of Cardinals baseball, it was a multipurpose park called Sportsman”s Park in 1953. Anheuser-Busch, the brewing giant that owned the Cardinals for a time, purchased the stadium and called it Busch Stadium.
Talk about brewing a partnership with a home run!
Museum for Baseball Maniacs
One can explore unique stadium models, step into the broadcast booth to relive Cardinals’ historic moments and hold authentic bats from team legends in this Museum | Courtesy Cardinals Nation
The St. Louis Cardinals Hall of Fame and Museum is an 8,000-square-foot tribute to baseball’s rich history. Opening on the Cardinals’ 2014 Opening Day, this shrine charts the team’s stories from its 1882 beginnings when it was still called the American Association Browns. Here, you can revel in the team’s 11 World Series Championships and 19 pennants. And if you’re feeling adventurous, watch the game from the museum’s roof—the Hoffmann Brothers Rooftop—complete with a full-service bar and an all-you-can-eat menu. It’s like VIP seating, but with more hot dogs.
Even the Fans Break World Records
Busch Stadium is more than a ballpark; it’s a record-breaking arena.
In one memorable event, Nathan’s Famous set a Guinness World Record for the most selfies taken simultaneously—4,296, to be exact. Just imagine trying to squeeze all those selfies into a single frame!
Not to be outdone, Edward Jones and the Alzheimer’s Association formed the largest human image of a brain on the field in 2018. With 1,202 people, the image was like a giant, multi-colored brain freeze.
1,202 people gathered in centerfield at Busch Stadium to form a multi-coloured brain image | Screenshot from Guinness World Records.
The MLB Park in Your Backyard
Are you an avid Cardinals fan, thinking about living near the stadium? The cost of living in the area might be in your favor.
A 2017 study by Estately.com shows that media prices for homes around Busch Stadium is the fourth least expensive among around 26 major MLB stadiums. When San Francisco Giants fans have to pay up $1,197,000 that year for the same convenience of catching a game at a walking distance, Cardinal fans can snag real estate at only $184,900. If that’s not a walk-off win of a deal, we’re not sure what is.
Big Cleats to Fill as Busch Stadium Eyes Expansion
Those wanting to invest in property near Busch Stadium better get it while it’s still affordable. Rumor has it Busch Stadium could soon expand. That rumor has been going around for three decades since talks to raise public money allegedly started. We’ll believe it when we see it.
According to Cardinals owner Bill DeWitt III, plans are likely to mirror recent projects for the Milwaukee Brewers and Baltimore Orioles, with price tags hovering around $500 to $600 million. But the real investment is still up for debates pending a concrete cost-benefit analysis on the stadium’s surrounding area.
So the next time you kick back with a cold beer and catch a game at Busch Stadium, be in awe of the fact there’s more to the place than what meets the batter’s eye. Pitch these interesting facts at trivia night or to your Hinge date who’s new in town. Who knows – you might just win a home run beer.
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Nashville Police Officer Arrested for Appearing in Adult Video
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A Nashville police officer, Sean Herman, 33, has been arrested and charged with two counts of felony official misconduct after allegedly appearing in an adult video on OnlyFans while on duty. Herman was fired one day after detectives became aware of the video last month.
The video, titled “Can’t believe he didn’t arrest me,” shows Herman, participating in a mock traffic stop while in uniform, groping a woman’s breasts, and grabbing his genitals through his pants. The officer’s face is not visible, but his cruiser, patrol car, and Metro Nashville Police Department patch on his shoulder are clearly visible.
The Metro Nashville Police Department launched an investigation immediately upon discovering the video. The internal investigation determined Herman to be the officer appearing in the video. He was fired on May 9 and arrested on June 14, with a bond set at $3,000.
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Jane Smiley’s New Novel, Lucky, Draws on Her Charmed St. Louis Childhood
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Like any good St. Louisan, Jane Smiley has an opinion on the high school question.
“If you ask somebody in St. Louis, ‘Where did you go to high school’ — because each school is so unique, you do get a sense of what their life was like and where they live,” says the John Burroughs graduate. “Where are you from? What do you like? And, you know, the answer is always interesting.”
That’s pretty much what Jodie Rattler, the main character of Smiley’s latest novel, Lucky, thinks.
“School, in St. Louis, is a big question, especially high school,” Rattler muses toward the start of the story. “… My theory about this is not that the person who asks wants to judge you for your socioeconomic position, rather that he or she wants to imagine your neighborhood, since there are so many, and they are all different.”
This parallel thought pattern is even less of a coincidence than the author/subject relationship implies. Lucky, which Alfred A. Knopf published last month, is nominally the story of Jodie, a folk musician gone fairly big who hails from our fair town. But the book is more than just its plot: It’s an ode to St. Louis and an exploration of the life Jane Smiley might have lived — if only a few things were different.
The trail to Lucky started in 2019, when Smiley returned here for her 50th high school reunion and agreed to a local interview. The radio host asked why she’d never set a novel in St. Louis.
“I thought, ‘Boy, why haven’t I done that?'” Smiley remembers. “And so then I thought, ‘Well, maybe I should think about it.’ And I decided since I love music, and St. Louis is a great music town, that I would maybe do an alternative biography of myself if I had been a musician, and of course I would say where she went to [high] school. So that’s what got me started. And the more I got into it, the more I enjoyed it.” click to enlarge DEREK SHAPTON Jane Smiley rocketed to literary stardom after winning the Pulitzer Prize for fiction for A Thousand Acres. She now has more than 25 books to her name.
The Life Jane Smiley Didn’t Live
Jane Smiley has always felt really lucky.
First, there was her background: She grew up with a “very easygoing and fun family.” Growing up in Webster Groves, she enjoyed wandering through the adjacent neighborhoods and exploring how spaces that were so close together could have such different vibes.
Then there was her career, which kicked into gear when she was 42 with the publication of A Thousand Acres, a retelling of King Lear set on a farm in Iowa. It won the National Book Critics Circle Award for fiction in 1991 and the Pulitzer Prize for fiction in 1992. It became a movie and, two years ago, an opera. Since then, she’s been steadily publishing and now has more than 25 books to her name.
“I was lucky in the way that my career got started,” Smiley says. “It was lucky in a way that it continued. I was lucky to win the Pulitzer. And I really enjoyed that. I said, ‘OK, I want to write about someone who’s lucky, but I don’t want it to be me. Because I want to contemplate the idea of luck, and see how maybe it works for somebody else.'”
click to enlarge
Both the book, and Jodie’s good luck, start at Cahokia Downs in 1955. Jodie’s Uncle Drew, a father stand-in, takes her to the racetrack and has her select the numbers on a bet that turns his last $6 into $5,986. She gets $86 of the winnings in a roll of $2 bills.
Smiley, a horse lover throughout her life, used to love looking at the horses at the racetrack before she understood how “corrupt it is at work.” (She also reminisces about pony rides at the corner of Brentwood and Manchester across from St. Mary Magdalen Church and riding her horse at Otis Brown Stables.)
Unlike Smiley, Jodie is not a horse person. And at first, Jodie feels somewhat disconnected from her luck — it’s something other people tell her that she possesses. She’s lucky to live where she does. She’s lucky that her mom doesn’t make her clear her plate, that her uncle has a big house, that she gets into John Burroughs. Later, she begins to carry those bills around as a talisman.
“[I] made a vow never to spend that roll of two-dollar bills — that was where the luck lived,” Jodie thinks after a narrow miss with a tornado.
It’s John Burroughs that changes Jodie’s life, just as it did Smiley’s. But instead of falling in love with books in high school and becoming a writer, Jodie falls into music. She eventually gets into songwriting, penning tunes as a sophomore at Penn State that launch her career.
One of Jodie’s songs should instantly resonate for St. Louis readers.
“The third one was about an accident I heard had happened in St. Louis,” Jodie recalls in the book, “a car going off the bridge over the River des Peres, which may have once been a river but was now a sewer. My challenge was to make sense of the story while sticking in a bunch of odd St. Louis street names — Skinker, of course, DeBaliviere, Bompart, Chouteau, Vandeventer. The chorus was about Big Bend. The song made me cry, but I never sang it to anyone but myself.”
Throughout the book are Jodie’s lyrics, alongside the events that inspire them. Writing them was a new experience for Smiley, who found herself picking up a banjo gifted by an ex and strumming the few songs she’d managed to learn, as well as revisiting the popular music of the novel’s time — the Beatles (George is Smiley’s favorite), Janis Joplin and the Traveling Wilburys, along with Judy Collins, Joan Baez, Joni Mitchell, and Peter, Paul and Mary — basically “all the folk singers.”
“I really love music, and I do wish I’d managed to practice, which I was always a failure at,” Smiley says. “… I liked that they made up their own lyrics, and they made their own music, and I was impressed by that.”
Both Smiley and Jodie grew up in households replete with record players and music. It’s one of their great commonalities.
A great difference between the two? That would be sex. At one point, Jodie compares her body count, which she calls the “Jodie Club,” with a lover — 25 (rounded up, Jodie notes) to his 150.
“That was a lot of fun,” says Smiley. “She learns a lot from having those affairs, and she enjoys it. She’s careful. And I like the fact that she never gets married, and she doesn’t really have any regrets about that.” (Smiley has been married four times.) “In some sense, her musical career has made her want to explore those kinds of issues of love and connection and sex and the way guys are.”
You can tell Smiley had a good time writing this. After Jodie loses her virginity, she thinks, “The erection had turned into a rather cute thing that flopped to one side.”
“Oh, it was fun,” Smiley confirms. “Sometimes I would say, ‘OK, what can I have Jodie do next? What’s something completely different than what I did when I was her age?’ And then I’d have to think about that and try and come up with something that was actually interesting. I knew that she couldn’t do all the things that I had done, and she had to be kind of a different person than I was. And so I made her a little more independent, and a little more determined.”
click to enlarge VIA THE SCHOOL YEARBOOK Jane Smiley’s high school yearbook photo. In Lucky, Jodie recalls of a classmate, “The gawky girl had stuck her head into a basketball basket, taken hold of the rim, and her caption was, ‘They always have the tall girls guard the basket.'”
Lucky follows Jodie from childhood to into her late 60s. At several points in the novel, she crosses paths with a Burroughs classmate, identified only as the “gawky girl.” Jodie takes note of her former classmate, but she’s not recognized.
Toward the end, Jodie walks into Left Bank Books and sees the gawky girl’s name on the cover of a novel.
“Out of curiosity, I read a few things about the gawky girl. Apparently she really had been to Greenland, and the Pulitzer novel was based on King Lear, which I thought was weird, but I did remember that when we read King Lear in senior English, I hadn’t liked it,” Jodie thinks. “… I remembered walking past her in the front hall of the school, maybe a ways down from the front door. She was standing there smiling, her glasses sliding down her nose, and one of the guys in our class, one of the outgoing ones, not one of the math nerds that abounded, stopped and looked at her, and said, ‘You know, I would date you if you weren’t so tall.'”
Sound familiar? Does it help to know Smiley is 6’2″?
The doppelgangers meet face to face after their 50th Burroughs’ reunion at the Fox and Hounds bar at the Cheshire. To go into what happens next — it’s too much of a spoiler.
“In every book, there’s always a surprise,” Smiley says. click to enlarge ZACHARY LINHARES Smiley enjoys St. Louis place names, and DeBaliviere is one of many in the novel.
Jodie Rattler’s St. Louis
Lucky is a smorgasbord of familiar names and places for St. Louis readers, and picking them out will be a big part of the joy of the book for locals.
“I love many things about St. Louis — not exactly the humidity, but lots of other things,” Smiley says. “One of the things I love is how weird the street names are. So I had to put her in that house on Skinker, and I had to refer to a few other places that are kind of weird. I couldn’t fit them all in.
“But I love the way that those street names and St. Louis are a real mix, and some of them are true French street names. Some of them are true English street names. Like Grav-wah or Grav-whoy” — here she deploys first the French and then the St. Louis version of “Gravois” — “whatever you want to call it, and Clark. It’s just really interesting to look around there and sense all of the different cultures that lived there and went through there.”
Jodie grows up in a house on Skinker near Big Bend. It’s “a pale golden color, with the tile roof and the little balcony,” Smiley writes. Jodie walks through Forest Park and eats at Schneithorst’s. Her mother works at the Muny; she shops at Famous Barr. Her grandfather prefers the “golf course near our house on Skinker,” which must be the Forest Park course. Jodie goes to Cardinals games, the Saint Louis Zoo and Grant’s Farm. She visits and thinks about St. Louis’ parks such as Tilles and Babler. Even the county jail in Clayton gets a mention.
Of course, Chuck Berry shows up several times, first mentioned for getting “in trouble for doing something that I wouldn’t understand.” Later, as Jodie drives by his home, she drops some shade on the county along the way: “Aunt Louise knew where Phyllis Schlafly’s house was, so I drove past there — another reason not to choose Ladue,” she writes.
Jodie and the man who invented rock & roll later meet face-to-face briefly at a festival near San Jose, California. “My favorite parts were getting to walk up to Chuck Berry and say, ‘I’m from St. Louis, too. Skinker!’ and having him reply, ‘Cards, baby!’ and know that no one nearby knew what in the world we were talking about,” Jodie recalls.
Lucky feels like a bit of a members-only club, and here the club is St. Louis. There is barely a page that is without some kind of reference — to the point where one might wonder if non-locals can even keep up. (Though they should rest assured: It’s a good read.)
“I write more or less to do what I want to do, and so I wrote about the things that interested me,” Smiley says. And more than 50 years after she graduated high school and left Webster Groves for Iowa and (briefly) Iceland and California, where she lives today, St. Louis, clearly, qualifies.
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