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St. Lou Fringe Festival Shows You Don’t Want to Miss | Arts Stories & Interviews | St. Louis

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click to enlarge EMMA BERS Zoe Rose Spills Her Guts features a xennial clown and promises to be peak fringe.
If your idea of theater is limited to people with British accents making overly serious speeches, or (even worse) Broadway-style blowouts with full chorus lines of fake felines, you really need to get to St. Lou Fringe. Inspired by the massively popular Fringe Festival begun in Edinburgh in 1947, St. Louis’ annual DIY theater festival is both edgy and experimental, racy and riotous, sobering and silly. It all depends on which production you catch — and there are plenty of options.
This year, says St. Lou Fringe Festival President and Artistic Director Matthew R. Kerns, every single applicant was granted acceptance to the festival. That means no fewer than 42 productions are scheduled for a seven-day sprint through Grand Center and its neighboring environs beginning August 14. Perhaps even more impressive? A full 85 percent of casts are local. “Our city really wants to tell our stories this year,” Kerns observes.
That leaves you with a whole lot of options — which is kind of the point. You don’t need to choose just one. Shows are typically just an hour, and you can get a three-show pass for just $43. Or go big and binge the whole damn festival for an all-access “Binge the Fringe” pass, priced at $105.
For those planning their own personal Fringe journey — tickets are on sale now at stlfringe.org — and here are some of this year’s highlights from Kern.
Second Sifting. An immersive experience from Big Plate Dance Co., this is best enjoyed by someone who doesn’t just like dance but wouldn’t mind getting up and participating in it. August 20, 3 p.m., .ZACK, 3224 Locust Street.
Bawdy Positivity. A burlesque show featuring all plus-size performers. August 19, 11:05 p.m., .ZACK, 3224 Locust Street.
Sweet Potato Pie. Local performer Britney N. Daniels’ one-person show depicts her journey of fulfilling her creative self and working through the loss of her grandmother. August 19 to 20, 8:30 p.m., High Low, 3301 Washington Avenue.
The Bellydancer Monologues. This show features performers with local troupe Dance Hipnotíque demonstrating their craft and discussing how dance healed them. August 19, 4:30 p.m., .ZACK, 3224 Locust Street.
Zoe Rose Spills Her Guts. A one-woman show with immersive, participatory elements featuring a Xennial clown. “It’s as Fringe as you get,” promises Kerns. August 18, 10 p.m., August 19 to 20, 4:30 p.m. High Low, 3301 Washington Avenue.
Vestals. Unusually for the Fringe, this is a full play and will run closer to an hour and a half. “Most of our shows are 50 minutes, but if we have the space and we can make the time, we can program it,” Kerns notes. Written by Susie Lawrence, a teacher at Chaminade College Prep School, it’s a drama about the final days of vestal virgins in ancient Rome. August 19 to 20, 10 a.m., High Low, 3301 Washington Avenue.
click to enlarge BOB CROWE Lillian Brown’s The Oreo Complex returns — this time as the national headliner.
How to Do a Sideshow for Fun and Profit. One of the more memorably named performances in this year’s festival, this is an interactive show and lecture all rolled into one. Thomas Nealeigh, who grew up in his parent’s traveling theatrical troupe, weaves a story of classic carnivals “filled with danger and laughs,” Kerns promises. August 18, 11:05 p.m., High Low, 3301 Washington Avenue.
Checking Out: A Bed, Breakfast & Burial Story. Talented local writing team Panagiotis Papavlasopoulos and Analicia Kocher explore the hijinks that result when Tabitha and Normal take over the family bed and breakfast, Grudge & Griddle. “They’ve been around the Fringe a long time, and I’m always thrilled when they come back,” says Kerns. August 18, 7 p.m., August 19 to 20, 3 p.m., High Low, 3301 Washington Avenue.
Unlicensed Musical Therapy. Fly North Theatricals may be St. Louis’ most exciting young theater troupe, and this musical is a great chance to see what the buzz is about. A rare 90-minute show, it features Bradley Rohlf as a man being therapized on stage by friends “including but not limited to” Colin Healy and David Lemon. August 17, 10 p.m., August 18, 11:05 p.m., August 19, 8:30 p.m., August 20, 7:30 p.m., .ZACK, 3224 Locust Street.
Heretic: The Eulogy of a Christian Ex-Pat. Former St. Lou Fringe technical director Kevin Bowman premieres this new work that tells the story of how he was a “church leader who broke up with the church,” in Kerns’ words. August 17 to 18, 8:30 p.m., .ZACK, 3224 Locust Street.
LGBTQ Comedy Showcase. Featuring headliner Charlie Meyers, this show includes six comedians who all identify as LGBTQIA. August 17, 8:30 p.m., High Low, 3301 Washington Avenue.
Songs of a Movement: From Suffrage to Today. Singer Toni Finch’s cabaret show shares songs of American women. August 16, 7:30 p.m., High Low, 3301 Washington Avenue.
click to enlarge SEAN GOTTLIEB RFT society columnist Chris Andoe makes his fringe debut in the one-man show he wrote and will star in The Final Performance of Midnight Annie.
Humans of St. Louis. Theater veteran Joe Hanrahan teamed up with Humans of St. Louis co-founder Lindy Drew to adapt the wildly popular Facebook-series-turned-book into a play. The show features actual people who previously shared their stories with Drew and her team. “To me, this feels like the epitome of what the Fringe is,” Kerns says. “At our core, it’s about grassroots people stepping up and taking the stage.” August 16, 6 p.m., August 17 to 18, 7 p.m., August 20, 4:30 p.m., .ZACK, 3224 Locust Street.
Big Dad Energy. Comedian Jamie Campbell talks about getting married in his 40s and, in Kerns’ words, “everything that comes with that” — which he learns isn’t necessarily parenthood. The show won “Best of Fringe” honors in its Kansas City Fringe debut last year. August 15, 9 p.m., .ZACK, 3224 Locust Street.
Bare: A Pop Opera. This show by the talented youth at the Gateway Center for Performing Arts is already “selling like wildfire,” Kerns says, so you’ll want to act fast. Be forewarned: It’s a full-length musical, clocking in at more than two hours. August 18, 7 p.m., August 19, 2 p.m. and 7 p.m., August 20, 1 p.m. and 6 p.m. The Marcelle, 3310 Samuel Shepard Drive.
The Oreo Complex. Lillian Burns traveled to last year’s festival from Wisconsin, but her one-woman show about being a Black woman in America today was so powerful, she was invited back as this year’s national headliner. “We wanted more people to see it,” Kerns says. August 15 to 16, 7:30 p.m., .ZACK, 3224 Locust Street.
The Final Performance of Midnight Annie. Last but never least, RFT Society Columnist Chris Andoe makes his Fringe debut in a one-man show that puts his formidable storytelling talents on display. This year’s late-night headliner, Andoe has been working with Kerns since October to weave some of his greatest pieces of writing about others into a richer, more intimate tale about not just others, but also himself. It’s a show that’s largely set in and focused deeply on St. Louis’ gay community, yet St. Louis is likely only the beginning of its journey. “It has legs to transcend the Fringe Festival and go to other places,” Kerns promises. As for its star, Kerns says, aptly, “He is the Carrie Bradshaw of St. Louis.” August 18 to 19, 10 p.m., .ZACK, 3224 Locust Street.
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Five Fun Facts About Busch Stadium You Didn’t Know

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When baseball fans roll into St. Louis, Busch Stadium often tops their must-see list. But this iconic ballpark has more hidden gems beyond baseball — and even beyond its souvenir shops and good hotdogs. Here’s a lineup of interesting facts that’ll make you the MVP in Busch Stadium trivia.
From Ballpark to Brewing Brand Deal
A 1900 postcard showing the Oyster House of Tony Faust, founder of the brewing firm | Courtesy Anheuser-Busch.
Busch Stadium has a past that’s more refreshing than a cold beer. Before becoming the shrine of Cardinals baseball, it was a multipurpose park called Sportsman”s Park in 1953. Anheuser-Busch, the brewing giant that owned the Cardinals for a time, purchased the stadium and called it Busch Stadium.
Talk about brewing a partnership with a home run!
Museum for Baseball Maniacs
One can explore unique stadium models, step into the broadcast booth to relive Cardinals’ historic moments and hold authentic bats from team legends in this Museum | Courtesy Cardinals Nation
The St. Louis Cardinals Hall of Fame and Museum is an 8,000-square-foot tribute to baseball’s rich history. Opening on the Cardinals’ 2014 Opening Day, this shrine charts the team’s stories from its 1882 beginnings when it was still called the American Association Browns. Here, you can revel in the team’s 11 World Series Championships and 19 pennants. And if you’re feeling adventurous, watch the game from the museum’s roof—the Hoffmann Brothers Rooftop—complete with a full-service bar and an all-you-can-eat menu. It’s like VIP seating, but with more hot dogs.
Even the Fans Break World Records
Busch Stadium is more than a ballpark; it’s a record-breaking arena.
In one memorable event, Nathan’s Famous set a Guinness World Record for the most selfies taken simultaneously—4,296, to be exact. Just imagine trying to squeeze all those selfies into a single frame!
Not to be outdone, Edward Jones and the Alzheimer’s Association formed the largest human image of a brain on the field in 2018. With 1,202 people, the image was like a giant, multi-colored brain freeze.
1,202 people gathered in centerfield at Busch Stadium to form a multi-coloured brain image | Screenshot from Guinness World Records.
The MLB Park in Your Backyard
Are you an avid Cardinals fan, thinking about living near the stadium? The cost of living in the area might be in your favor.
A 2017 study by Estately.com shows that media prices for homes around Busch Stadium is the fourth least expensive among around 26 major MLB stadiums. When San Francisco Giants fans have to pay up $1,197,000 that year for the same convenience of catching a game at a walking distance, Cardinal fans can snag real estate at only $184,900. If that’s not a walk-off win of a deal, we’re not sure what is.
Big Cleats to Fill as Busch Stadium Eyes Expansion
Those wanting to invest in property near Busch Stadium better get it while it’s still affordable. Rumor has it Busch Stadium could soon expand. That rumor has been going around for three decades since talks to raise public money allegedly started. We’ll believe it when we see it.
According to Cardinals owner Bill DeWitt III, plans are likely to mirror recent projects for the Milwaukee Brewers and Baltimore Orioles, with price tags hovering around $500 to $600 million. But the real investment is still up for debates pending a concrete cost-benefit analysis on the stadium’s surrounding area.
So the next time you kick back with a cold beer and catch a game at Busch Stadium, be in awe of the fact there’s more to the place than what meets the batter’s eye. Pitch these interesting facts at trivia night or to your Hinge date who’s new in town. Who knows – you might just win a home run beer.
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Nashville Police Officer Arrested for Appearing in Adult Video

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A Nashville police officer, Sean Herman, 33, has been arrested and charged with two counts of felony official misconduct after allegedly appearing in an adult video on OnlyFans while on duty. Herman was fired one day after detectives became aware of the video last month.
The video, titled “Can’t believe he didn’t arrest me,” shows Herman, participating in a mock traffic stop while in uniform, groping a woman’s breasts, and grabbing his genitals through his pants. The officer’s face is not visible, but his cruiser, patrol car, and Metro Nashville Police Department patch on his shoulder are clearly visible.
The Metro Nashville Police Department launched an investigation immediately upon discovering the video. The internal investigation determined Herman to be the officer appearing in the video. He was fired on May 9 and arrested on June 14, with a bond set at $3,000.
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Jane Smiley’s New Novel, Lucky, Draws on Her Charmed St. Louis Childhood

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Like any good St. Louisan, Jane Smiley has an opinion on the high school question.
“If you ask somebody in St. Louis, ‘Where did you go to high school’ — because each school is so unique, you do get a sense of what their life was like and where they live,” says the John Burroughs graduate. “Where are you from? What do you like? And, you know, the answer is always interesting.”
That’s pretty much what Jodie Rattler, the main character of Smiley’s latest novel, Lucky, thinks.
“School, in St. Louis, is a big question, especially high school,” Rattler muses toward the start of the story. “… My theory about this is not that the person who asks wants to judge you for your socioeconomic position, rather that he or she wants to imagine your neighborhood, since there are so many, and they are all different.”
This parallel thought pattern is even less of a coincidence than the author/subject relationship implies. Lucky, which Alfred A. Knopf published last month, is nominally the story of Jodie, a folk musician gone fairly big who hails from our fair town. But the book is more than just its plot: It’s an ode to St. Louis and an exploration of the life Jane Smiley might have lived — if only a few things were different.
The trail to Lucky started in 2019, when Smiley returned here for her 50th high school reunion and agreed to a local interview. The radio host asked why she’d never set a novel in St. Louis.
“I thought, ‘Boy, why haven’t I done that?'” Smiley remembers. “And so then I thought, ‘Well, maybe I should think about it.’ And I decided since I love music, and St. Louis is a great music town, that I would maybe do an alternative biography of myself if I had been a musician, and of course I would say where she went to [high] school. So that’s what got me started. And the more I got into it, the more I enjoyed it.” click to enlarge DEREK SHAPTON Jane Smiley rocketed to literary stardom after winning the Pulitzer Prize for fiction for A Thousand Acres. She now has more than 25 books to her name.
The Life Jane Smiley Didn’t Live
Jane Smiley has always felt really lucky.
First, there was her background: She grew up with a “very easygoing and fun family.” Growing up in Webster Groves, she enjoyed wandering through the adjacent neighborhoods and exploring how spaces that were so close together could have such different vibes.
Then there was her career, which kicked into gear when she was 42 with the publication of A Thousand Acres, a retelling of King Lear set on a farm in Iowa. It won the National Book Critics Circle Award for fiction in 1991 and the Pulitzer Prize for fiction in 1992. It became a movie and, two years ago, an opera. Since then, she’s been steadily publishing and now has more than 25 books to her name.
“I was lucky in the way that my career got started,” Smiley says. “It was lucky in a way that it continued. I was lucky to win the Pulitzer. And I really enjoyed that. I said, ‘OK, I want to write about someone who’s lucky, but I don’t want it to be me. Because I want to contemplate the idea of luck, and see how maybe it works for somebody else.'”
click to enlarge
Both the book, and Jodie’s good luck, start at Cahokia Downs in 1955. Jodie’s Uncle Drew, a father stand-in, takes her to the racetrack and has her select the numbers on a bet that turns his last $6 into $5,986. She gets $86 of the winnings in a roll of $2 bills.
Smiley, a horse lover throughout her life, used to love looking at the horses at the racetrack before she understood how “corrupt it is at work.” (She also reminisces about pony rides at the corner of Brentwood and Manchester across from St. Mary Magdalen Church and riding her horse at Otis Brown Stables.)
Unlike Smiley, Jodie is not a horse person. And at first, Jodie feels somewhat disconnected from her luck — it’s something other people tell her that she possesses. She’s lucky to live where she does. She’s lucky that her mom doesn’t make her clear her plate, that her uncle has a big house, that she gets into John Burroughs. Later, she begins to carry those bills around as a talisman.
“[I] made a vow never to spend that roll of two-dollar bills — that was where the luck lived,” Jodie thinks after a narrow miss with a tornado.
It’s John Burroughs that changes Jodie’s life, just as it did Smiley’s. But instead of falling in love with books in high school and becoming a writer, Jodie falls into music. She eventually gets into songwriting, penning tunes as a sophomore at Penn State that launch her career.
One of Jodie’s songs should instantly resonate for St. Louis readers.
“The third one was about an accident I heard had happened in St. Louis,” Jodie recalls in the book, “a car going off the bridge over the River des Peres, which may have once been a river but was now a sewer. My challenge was to make sense of the story while sticking in a bunch of odd St. Louis street names — Skinker, of course, DeBaliviere, Bompart, Chouteau, Vandeventer. The chorus was about Big Bend. The song made me cry, but I never sang it to anyone but myself.”
Throughout the book are Jodie’s lyrics, alongside the events that inspire them. Writing them was a new experience for Smiley, who found herself picking up a banjo gifted by an ex and strumming the few songs she’d managed to learn, as well as revisiting the popular music of the novel’s time — the Beatles (George is Smiley’s favorite), Janis Joplin and the Traveling Wilburys, along with Judy Collins, Joan Baez, Joni Mitchell, and Peter, Paul and Mary — basically “all the folk singers.”
“I really love music, and I do wish I’d managed to practice, which I was always a failure at,” Smiley says. “… I liked that they made up their own lyrics, and they made their own music, and I was impressed by that.”
Both Smiley and Jodie grew up in households replete with record players and music. It’s one of their great commonalities.
A great difference between the two? That would be sex. At one point, Jodie compares her body count, which she calls the “Jodie Club,” with a lover — 25 (rounded up, Jodie notes) to his 150.
“That was a lot of fun,” says Smiley. “She learns a lot from having those affairs, and she enjoys it. She’s careful. And I like the fact that she never gets married, and she doesn’t really have any regrets about that.” (Smiley has been married four times.) “In some sense, her musical career has made her want to explore those kinds of issues of love and connection and sex and the way guys are.”
You can tell Smiley had a good time writing this. After Jodie loses her virginity, she thinks, “The erection had turned into a rather cute thing that flopped to one side.”
“Oh, it was fun,” Smiley confirms. “Sometimes I would say, ‘OK, what can I have Jodie do next? What’s something completely different than what I did when I was her age?’ And then I’d have to think about that and try and come up with something that was actually interesting. I knew that she couldn’t do all the things that I had done, and she had to be kind of a different person than I was. And so I made her a little more independent, and a little more determined.”
click to enlarge VIA THE SCHOOL YEARBOOK Jane Smiley’s high school yearbook photo. In Lucky, Jodie recalls of a classmate, “The gawky girl had stuck her head into a basketball basket, taken hold of the rim, and her caption was, ‘They always have the tall girls guard the basket.'”
Lucky follows Jodie from childhood to into her late 60s. At several points in the novel, she crosses paths with a Burroughs classmate, identified only as the “gawky girl.” Jodie takes note of her former classmate, but she’s not recognized.
Toward the end, Jodie walks into Left Bank Books and sees the gawky girl’s name on the cover of a novel.
“Out of curiosity, I read a few things about the gawky girl. Apparently she really had been to Greenland, and the Pulitzer novel was based on King Lear, which I thought was weird, but I did remember that when we read King Lear in senior English, I hadn’t liked it,” Jodie thinks. “… I remembered walking past her in the front hall of the school, maybe a ways down from the front door. She was standing there smiling, her glasses sliding down her nose, and one of the guys in our class, one of the outgoing ones, not one of the math nerds that abounded, stopped and looked at her, and said, ‘You know, I would date you if you weren’t so tall.'”
Sound familiar? Does it help to know Smiley is 6’2″?
The doppelgangers meet face to face after their 50th Burroughs’ reunion at the Fox and Hounds bar at the Cheshire. To go into what happens next — it’s too much of a spoiler.
“In every book, there’s always a surprise,” Smiley says. click to enlarge ZACHARY LINHARES Smiley enjoys St. Louis place names, and DeBaliviere is one of many in the novel.
Jodie Rattler’s St. Louis
Lucky is a smorgasbord of familiar names and places for St. Louis readers, and picking them out will be a big part of the joy of the book for locals.
“I love many things about St. Louis — not exactly the humidity, but lots of other things,” Smiley says. “One of the things I love is how weird the street names are. So I had to put her in that house on Skinker, and I had to refer to a few other places that are kind of weird. I couldn’t fit them all in.
“But I love the way that those street names and St. Louis are a real mix, and some of them are true French street names. Some of them are true English street names. Like Grav-wah or Grav-whoy” — here she deploys first the French and then the St. Louis version of “Gravois” — “whatever you want to call it, and Clark. It’s just really interesting to look around there and sense all of the different cultures that lived there and went through there.”
Jodie grows up in a house on Skinker near Big Bend. It’s “a pale golden color, with the tile roof and the little balcony,” Smiley writes. Jodie walks through Forest Park and eats at Schneithorst’s. Her mother works at the Muny; she shops at Famous Barr. Her grandfather prefers the “golf course near our house on Skinker,” which must be the Forest Park course. Jodie goes to Cardinals games, the Saint Louis Zoo and Grant’s Farm. She visits and thinks about St. Louis’ parks such as Tilles and Babler. Even the county jail in Clayton gets a mention.
Of course, Chuck Berry shows up several times, first mentioned for getting “in trouble for doing something that I wouldn’t understand.” Later, as Jodie drives by his home, she drops some shade on the county along the way: “Aunt Louise knew where Phyllis Schlafly’s house was, so I drove past there — another reason not to choose Ladue,” she writes.
Jodie and the man who invented rock & roll later meet face-to-face briefly at a festival near San Jose, California. “My favorite parts were getting to walk up to Chuck Berry and say, ‘I’m from St. Louis, too. Skinker!’ and having him reply, ‘Cards, baby!’ and know that no one nearby knew what in the world we were talking about,” Jodie recalls.
Lucky feels like a bit of a members-only club, and here the club is St. Louis. There is barely a page that is without some kind of reference — to the point where one might wonder if non-locals can even keep up. (Though they should rest assured: It’s a good read.)
“I write more or less to do what I want to do, and so I wrote about the things that interested me,” Smiley says. And more than 50 years after she graduated high school and left Webster Groves for Iowa and (briefly) Iceland and California, where she lives today, St. Louis, clearly, qualifies.
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