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Remembering Jamestown Mall, and the Wonderful World We Once Knew | Arts Stories & Interviews | St. Louis

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click to enlarge Jamestown Mall was once the place to be.

In the farthest reaches of north St. Louis County, against a dense backdrop of old sycamore trees and a sea of honeysuckle, the busy main road that we all know as Lindbergh Boulevard comes to a quiet and abrupt dead end. Steps away, a wild and secluded section of Coldwater Creek flows not far from the Missouri River. And it was here, in this seemingly remote and rustic area known as Old Jamestown, that somebody decided in the early 1970s it was a good idea to build a large enclosed shopping mall.

About eight miles to the south, the enclosed River Roads Shopping Center in Jennings had already been thriving for nearly a decade at that point. The indoor mall boom was also in full swing in other St. Louis suburbs, with Crestwood Mall (1957), South County Mall (1963) and West County Mall (1969) all beckoning shoppers inside from across the region.

So why not north county too? That’s what developers figured. And the idea of Jamestown Mall as a lush, climate-controlled shopping destination was born, all thanks to a partnership between two popular department stores — Stix, Baer & Fuller and Sears Roebuck — and an innovative Cleveland-based mall developer: Jacobs, Visconsi & Jacobs.

Groundbreaking started in 1972 on the site of what was previously a cattle pasture and several small family farms. Almost exactly a year later, Jamestown Mall officially opened for business on October 10, 1973.

It had 90-plus stores in almost 900,000 square feet, and sat on 63 acres of farm field, adjacent to even more farm fields and a smattering of newly built tract houses. And though it was basically in the middle of nowhere, it was also nothing short of a magical living terrarium: an always-78-degrees sensory experience, with huge skylights, tropical plants and trees, bubbling fountains, gleaming marble and several large contemporary sculptures that served as striking focal points in the main gathering areas.

It smelled of fresh earthy greenhouse and chlorine, mixed with a subtle hint of new shoes, movie popcorn, perfume and pipe tobacco. And the primary soundtrack was often gently flowing water plus a faint echo of organ music, coming from a salesman enthusiastically playing a keyboard at the music store by Sears. 

I know because I lived in one of those nearby tract houses, just across one of those farm fields, starting in 1978 — and there was no place I would rather explore and wander as a kid than Jamestown Mall. 

In 1981, while my mom was browsing the racks at Lerner, I asked if I could go to the mall’s center court where a small crowd was gathering around a temporary stage. As I walked up, the announcer welcomed a “soap opera star” with a “brand new record.” And lo and behold, I ended up seeing an early live performance of “Jessie’s Girl” by Rick Springfield!

I also spent countless hours in the ’80s just hanging out at Jamestown Mall with friends. Crushing on boys. Playing video games at Aladdin’s Castle. Seeing my first 3D movie (Parasite … bad choice). Drooling over slouchy sweaters at the Limited and real parachute pants at Merry-Go-Round. Discovering waffle fries at the first-ever Chick-fil-A in St. Louis. Scouring Spencer’s Gifts for the latest Duran Duran pins and instructive books like The Valley Girl’s Guide to Life and Joel’s Journal and Fact-Filled Fart Book. (Still classics.)

click to enlarge COURTESY SHANNON HOWARD The author, age 14, in her best Id-approved mauve.

I got my first job at the mall’s York Steak House at 14, after lying to say I was 16 and spending much of my short-lived career there sneaking pickles from the walk-in. I also worked at a women’s clothing store called Id, until the day I accidentally nicked a vein in my wrist while opening boxes, spraying blood all over the newest mauve-toned merchandise and nearly fainting. I was too embarrassed to come back after that, so I quit, but I still have a photo of my Id-approved work outfit: mauve + scarf + shoulder pads.

A couple years later, I met the legendary Muhammad Ali (!) when he was promoting his new cologne “for the man who loves to win” at a hastily draped folding table near Dillard’s (formerly Stix, Baer & Fuller). In fact, he was sitting right next to my very favorite sculpture in the mall, the smallest one and the only one not made of metal … two intersecting concrete swirls that almost looked like the petals of a flower.

Little did I know then, but all of the mall’s sculptures were actually created by the same artist. I also didn’t know that the skylights were installed using helicopters. Or that the original east entrance could fully retract to allow trucks as big as a semi to enter. 

And I certainly didn’t know that the mall’s manager from 1974 to 1979 was a creative showman of the highest order, or that ancient artifacts may have been discovered during construction, or that, in hindsight — let’s be honest — this is a mall that probably should have never existed. But I know now.

Inspired by news of the mall’s demolition, which started last month, I dove back into research I had started four years ago and re-connected with the sculpture artist’s wife and the son of one of the original developers. I also chatted with my friend Peggy Kruse, who just published her second book on the Old Jamestown area, and by pure luck I met a wonderful lady who once lived on the land where the mall was built. 

Realizing I had a great story that needed to be told, I dug even deeper into research and talked to even more people who knew and loved the mall in its heyday. The result is not just a personal story, but something I hope anyone who’s ever visited a mall will find entertaining: My favorite “secrets” from the history of Jamestown Mall.

Yes, there was bear wrestling at the mall in the 1970s.

There was also a petting zoo with baby deer, a live Easter egg-hatching display with 120 candy-colored chicks, a large traveling lion exhibit where you could hold a lion cub and a visit by Kokomo Jr., the TV star billed as the “wealthiest chimp in America.” All of these animal attractions (and more) arose from the marketing genius of mall manager Ronn Moldenhauer, who also happened to be the first person to climb in the ring with the famous “Victor the Rasslin’ Bear,” at an event that drew wall-to-wall crowds to the mall in 1977, and where Victor’s 15,000-career winning streak was actually broken by a 19-year-old Olympic wrestler from Cool Valley!

A natural salesman and promoter who wore dapper plaid suits and sometimes a tuxedo and top hat, Moldenhauer had been running a women’s clothing store at another Jabobs, Visconsi & Jacobs (JVJ) mall in Michigan when the developer asked him to run the entire Jamestown Mall. He arrived a few months after the grand opening, at age 37, with a wife and three kids, and truly breathed life into the “mall as a second home” concept for Jamestown’s first five and a half years.

Envisioning center court as a town square, he welcomed puppeteers, pet owners, magicians, gymnasts, gardeners, Blues hockey players, skateboarders, military and school bands, woodworkers, disco dancers, square dancers, circus performers, fashion shows and “pretty much anything he could get in there that might interest more than five people,” says his daughter Laura Broccard, who worked numerous odd jobs at the mall as a teenager.

It was his idea to launch a Jamestown Mall newspaper and to create a costumed mascot named “King James the Lion,” sometimes played by his teenage son, who also played Santa Claus when the regular mall Santas called in sick. And of course it was Moldenhauer who planned events like the Tinder Box pipe smoking contest, the custom van competition, the iceless ice show, the Italian moped display, the annual “Datsun Fest” where you could win a new car by playing Wham-O Frisbee Golf, and the 1977 Farrah Fawcett-Majors look-alike contest, co-sponsored by radio station KSLQ.

More than 2,000 people showed up to see 108 “Farrahs” walk the stage and answer questions about their favorite movie star and favorite quote. Five semi-finalists were chosen that day, in a spectacle that the Post-Dispatch described as, “Lots of hair. Lots of leg. Lots of teeth.” Apparently Farrah contests were quite a thing that year, and Moldenhauer deemed his such a success that he immediately started imagining a Burt Reynolds look-alike contest as well.

But alas, he was offered the manager job at a bigger, newer North Carolina mall in 1979, and not only did the Burt contest never come about, but what was arguably the golden age of live events at Jamestown Mall came to an end. click to enlarge Renowned sculptor Clarence Van Duzer left his mark on Jamestown Mall.

The artist who created the mall sculptures was renowned and brilliant. As JVJ was growing to become one of the country’s largest mall developers in the late 1960s and early 1970s, it built a stable of trusted contractors who would go project to project, state to state. And one of those “regulars” was a multi-talented artist from Cleveland named Clarence Van Duzer (1920-2009). 

Known by friends and family simply as Van, he was a Yale-educated jack-of-all-trades who worked as a college art professor while simultaneously creating a stunning body of work in a variety of mediums. A skilled oil painter, sketch artist, model maker and muralist, he also crafted large abstract sculptures out of metal and concrete, including the rocket-shaped “Global Flight and Celebration,” a 50-foot-tall stainless steel landmark at Cleveland Hopkins Airport.

His work in malls spanned 11 states and encompassed not only sculpture, but also elaborate chandeliers and fountains that he designed, installed and maintained. “Van engineered all the plumbing, lights, electrical and cast cement pools,” says his widow, Kathy Lynn Van Duzer, “and I recall many times when he would pack his waders and head off to a mall to tune up the fountains and adjust the sprays.” 

At Jamestown Mall, he constructed the massive copper sculpture at center court and the two steel sculptures in the north and south wings, plus all the fountains and cast concrete forms surrounding them. And yes, he also made the smaller concrete “swirls” by Dillard’s. 

I was surprised to learn that he created sculptures and fountains for Chesterfield Mall too, and that those and all of his Jamestown sculptures very likely had names! Van Duzer titled nearly all of his pieces. But he was so prolific, constantly producing art, that his wife has yet to catalog his entire collection — so that will have to be a mystery for another day. click to enlarge The food court used to be the place to be.

The fountains fed both plants and orphans.

Built as a giant living, breathing atrium, Jamestown Mall was also an enclosed ecosystem where the humidity from the fountains and the sunshine from the skylights provided an ideal atmosphere for tropical plants. For years, the mall employed a specialist in ornamental horticulture, who not only tended to pruning and fertilizing but also to propagating new plants from existing cuttings.

When the fountains were fully active (before they were mostly filled in with dirt in the mall’s later days), they supported a rich array of colored and textured flora, from Umbrella Plant, Ficus and Norfolk Island Pine to Dragon Tree, banana tree, Dieffenbachia and more.

The fountains also proved irresistible for swimming, at least to my then 5-year-old cousin Nick, who was one of many young kids who took the plunge. And you know those coins that collected at the bottom? For making a wish? Throughout the 1970s, they were gathered and used to throw an annual party for local orphans.

On the Sunday before Christmas every year, the mall welcomed around 400 orphaned children, who were given personalized gifts and treated to magic and puppet shows, a movie, photos with Santa, and a Thanksgiving-style meal with all the trimmings. Theater and restaurant workers donated their time. “Mall employees, store employees, everybody helped out. Some of them even took turkeys home the night before and baked them,” the mall manager explained in a 1979 interview. “It was really worthwhile … the whole mall coming together to do something like that for so many children.” click to enlarge MERCANTILE LIBRARY Conceptual drawing of the Jamestown Mall. The freestanding building in the top right was never actually built.

The parking lot probably hides ancient treasures.

In studying the history of the Old Jamestown area over the years, I’ve learned just how old it really is. Located not far from the confluence of two great North American rivers — the Missouri and the Mississippi — it was a land of natural abundance that attracted both indigenous people and frontier settlers. And before that …. WAY before that … it also attracted “megafauna” Ice Age animals, who gathered near a large lake that had formed at an ice dam near the mouth of Coldwater Creek.

That was 35,000 years ago, according to Joe Harl of the Archaeological Research Center of St. Louis, who says that since then, “Many Pleistocene animal bones have been discovered along Coldwater Creek … and numerous bones have been found during construction in this area.” 

Which may help to explain a story I heard from a longtime Old Jamestown resident, who watched the mall being built: While earthmovers were clearing the land, she noticed a group of people with “little paintbrushes” working in a roped-off, square plot. She wasn’t able to get up close, but ended up talking with one of the crew, who told her they were archaeologists and had found, in her telling, “evidence of saber-toothed tiger!” She later heard that mastodon bones were found as well.

But unfortunately the earthmovers kept moving, she told me, edging ever closer to the roped-off plot, and within two weeks it was plowed over and filled in, soon to be covered with pavement.

The parking lot definitely hides sinkholes.

Of all the things that made Jamestown Mall unique, this was the one that sealed its fate: JVJ tried to get a jump on anticipated growth in the area and decided to build the mall before residential neighborhoods had really developed. And then somebody figured out — whoops! — the area is full of sinkholes and not conducive to high-density development. 

Not only was the mall itself built on sinkhole land, in an area now recognized as “one of the finest examples of deep funnel-shaped sinkholes in the central United States” … with known sinkholes at the mall site still noted today on Division of Natural Resources maps, but all of those new subdivisions and households that the developer had gambled on in the early 1970s basically never materialized, all due to the geological wonder known as karst/sinkhole topography, now officially protected in the Florissant Karst Preservation District. click to enlarge Jamestown Mall, photographed in 2012.

Alton Square was the beacon of doom.

While the people of Alton may have celebrated their new mall in 1978, the manager of Jamestown Mall definitely did not. As you can see in early advertising, one of the primary customer pools that JVJ had expected to tap was Madison County, Illinois. So when a new enclosed “square” opened just 11 miles across the river in Alton, in the heart of Madison County, it drew countless Illinois (and Missouri) customers away from Jamestown and truly hobbled its success moving forward.

What also didn’t help was the molasses-like process of upgrading nearby Highway 367, which would have allowed faster, easier access to Jamestown Mall from both St. Louis and Illinois. In the works for decades, it was finally completed in 2007 … one year after an original Jamestown anchor, Dillard’s, had already closed, and the mall was already many years into its long, slow death spiral. 

The mall expansion in 1994 did add a Famous-Barr and a JC Penney, as well as 40,000 square feet of interior space and a new food court. But in my opinion, it actually ruined the vibe of the original mall concept and just felt kind of disjointed. I moved to Los Angeles a year later and didn’t visit Jamestown Mall again for quite a while. When I finally came back, honestly, the thrill was gone. The joy was gone. Most of the plants and fountains were gone! It just seemed like a bland, lifeless, patched-together shopping center desperately trying to hold on.

I was sad to see the mall finally close in 2014 after slowly declining for so long. I was even sadder when I started seeing videos online of looters and vandals violating the mall and its sculptures, and books showing photos of this “abandoned” vessel in its final descent. I found those very painful to look at, and still do.

When I saw the recent press conference with local politicians “celebrating” the mall’s demolition, I certainly had mixed emotions. I understand the need to remove a building that’s now an eyesore and health hazard, and I know that it’s taken a lot of work to get to this point. I hope this can be a catalyst for renewal in this corner of north county.

But for those of us who experienced Jamestown Mall in that brief window of time when it was really alive, this is not a cause for celebration. It’s a sad and bittersweet ending to the wonderful vision the developers had all those years ago. It’s also the loss of a physical space that was an architectural, horticultural and artistic gem … and a lush and beautiful “town square” that offered anyone the chance to escape and enjoy it, even if you didn’t have a single dollar in your pocket.

So if there’s anything to celebrate, it’s our memories. All of us. The millions and millions of memories — good, bad and otherwise — all created in this far-flung, destined-to-fail, magnificent jewel box where we shopped and worked and gathered for 41 years.

Farewell, Jamestown Mall. You never should have existed, but you sure were loved!

Shannon Howard is a St. Louis writer, old house realtor, and local history researcher and storyteller. She invites you to share your own mall memories at Remembering Jamestown Mall on Facebook.

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Five Fun Facts About Busch Stadium You Didn’t Know

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When baseball fans roll into St. Louis, Busch Stadium often tops their must-see list. But this iconic ballpark has more hidden gems beyond baseball — and even beyond its souvenir shops and good hotdogs. Here’s a lineup of interesting facts that’ll make you the MVP in Busch Stadium trivia.

From Ballpark to Brewing Brand Deal

A 1900 postcard showing the Oyster House of Tony Faust, founder of the brewing firm | Courtesy Anheuser-Busch.

Busch Stadium has a past that’s more refreshing than a cold beer. Before becoming the shrine of Cardinals baseball, it was a multipurpose park called Sportsman”s Park in 1953. Anheuser-Busch, the brewing giant that owned the Cardinals for a time, purchased the stadium and called it Busch Stadium.

Talk about brewing a partnership with a home run!

Museum for Baseball Maniacs

One can explore unique stadium models, step into the broadcast booth to relive Cardinals’ historic moments and hold authentic bats from team legends in this Museum | Courtesy Cardinals Nation

The St. Louis Cardinals Hall of Fame and Museum is an 8,000-square-foot tribute to baseball’s rich history. Opening on the Cardinals’ 2014 Opening Day, this shrine charts the team’s stories from its 1882 beginnings when it was still called the American Association Browns. Here, you can revel in the team’s 11 World Series Championships and 19 pennants. And if you’re feeling adventurous, watch the game from the museum’s roof—the Hoffmann Brothers Rooftop—complete with a full-service bar and an all-you-can-eat menu. It’s like VIP seating, but with more hot dogs.

Even the Fans Break World Records

Busch Stadium is more than a ballpark; it’s a record-breaking arena.

In one memorable event, Nathan’s Famous set a Guinness World Record for the most selfies taken simultaneously—4,296, to be exact. Just imagine trying to squeeze all those selfies into a single frame!

Not to be outdone, Edward Jones and the Alzheimer’s Association formed the largest human image of a brain on the field in 2018. With 1,202 people, the image was like a giant, multi-colored brain freeze.

1,202 people gathered in centerfield at Busch Stadium to form a multi-coloured brain image | Screenshot from Guinness World Records.

The MLB Park in Your Backyard

Are you an avid Cardinals fan, thinking about living near the stadium? The cost of living in the area might be in your favor.

A 2017 study by Estately.com shows that media prices for homes around Busch Stadium is the fourth least expensive among around 26 major MLB stadiums. When San Francisco Giants fans have to pay up $1,197,000 that year for the same convenience of catching a game at a walking distance, Cardinal fans can snag real estate at only $184,900. If that’s not a walk-off win of a deal, we’re not sure what is.

Big Cleats to Fill as Busch Stadium Eyes Expansion

Those wanting to invest in property near Busch Stadium better get it while it’s still affordable. Rumor has it Busch Stadium could soon expand. That rumor has been going around for three decades since talks to raise public money allegedly started. We’ll believe it when we see it.

According to Cardinals owner Bill DeWitt III, plans are likely to mirror recent projects for the Milwaukee Brewers and Baltimore Orioles, with price tags hovering around $500 to $600 million. But the real investment is still up for debates pending a concrete cost-benefit analysis on the stadium’s surrounding area.

So the next time you kick back with a cold beer and catch a game at Busch Stadium, be in awe of the fact there’s more to the place than what meets the batter’s eye. Pitch these interesting facts at trivia night or to your Hinge date who’s new in town. Who knows – you might just win a home run beer.

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Nashville Police Officer Arrested for Appearing in Adult Video

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A Nashville police officer, Sean Herman, 33, has been arrested and charged with two counts of felony official misconduct after allegedly appearing in an adult video on OnlyFans while on duty. Herman was fired one day after detectives became aware of the video last month.

The video, titled “Can’t believe he didn’t arrest me,” shows Herman, participating in a mock traffic stop while in uniform, groping a woman’s breasts, and grabbing his genitals through his pants. The officer’s face is not visible, but his cruiser, patrol car, and Metro Nashville Police Department patch on his shoulder are clearly visible.

The Metro Nashville Police Department launched an investigation immediately upon discovering the video. The internal investigation determined Herman to be the officer appearing in the video. He was fired on May 9 and arrested on June 14, with a bond set at $3,000.

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Jane Smiley’s New Novel, Lucky, Draws on Her Charmed St. Louis Childhood

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Like any good St. Louisan, Jane Smiley has an opinion on the high school question.

“If you ask somebody in St. Louis, ‘Where did you go to high school’ — because each school is so unique, you do get a sense of what their life was like and where they live,” says the John Burroughs graduate. “Where are you from? What do you like? And, you know, the answer is always interesting.”

That’s pretty much what Jodie Rattler, the main character of Smiley’s latest novel, Lucky, thinks.

“School, in St. Louis, is a big question, especially high school,” Rattler muses toward the start of the story. “… My theory about this is not that the person who asks wants to judge you for your socioeconomic position, rather that he or she wants to imagine your neighborhood, since there are so many, and they are all different.”

This parallel thought pattern is even less of a coincidence than the author/subject relationship implies. Lucky, which Alfred A. Knopf published last month, is nominally the story of Jodie, a folk musician gone fairly big who hails from our fair town. But the book is more than just its plot: It’s an ode to St. Louis and an exploration of the life Jane Smiley might have lived — if only a few things were different.

The trail to Lucky started in 2019, when Smiley returned here for her 50th high school reunion and agreed to a local interview. The radio host asked why she’d never set a novel in St. Louis.

“I thought, ‘Boy, why haven’t I done that?'” Smiley remembers. “And so then I thought, ‘Well, maybe I should think about it.’ And I decided since I love music, and St. Louis is a great music town, that I would maybe do an alternative biography of myself if I had been a musician, and of course I would say where she went to [high] school. So that’s what got me started. And the more I got into it, the more I enjoyed it.” click to enlarge DEREK SHAPTON Jane Smiley rocketed to literary stardom after winning the Pulitzer Prize for fiction for A Thousand Acres. She now has more than 25 books to her name.

The Life Jane Smiley Didn’t Live

Jane Smiley has always felt really lucky.

First, there was her background: She grew up with a “very easygoing and fun family.” Growing up in Webster Groves, she enjoyed wandering through the adjacent neighborhoods and exploring how spaces that were so close together could have such different vibes.

Then there was her career, which kicked into gear when she was 42 with the publication of A Thousand Acres, a retelling of King Lear set on a farm in Iowa. It won the National Book Critics Circle Award for fiction in 1991 and the Pulitzer Prize for fiction in 1992. It became a movie and, two years ago, an opera. Since then, she’s been steadily publishing and now has more than 25 books to her name.

“I was lucky in the way that my career got started,” Smiley says. “It was lucky in a way that it continued. I was lucky to win the Pulitzer. And I really enjoyed that. I said, ‘OK, I want to write about someone who’s lucky, but I don’t want it to be me. Because I want to contemplate the idea of luck, and see how maybe it works for somebody else.'”

click to enlarge

Both the book, and Jodie’s good luck, start at Cahokia Downs in 1955. Jodie’s Uncle Drew, a father stand-in, takes her to the racetrack and has her select the numbers on a bet that turns his last $6 into $5,986. She gets $86 of the winnings in a roll of $2 bills.

Smiley, a horse lover throughout her life, used to love looking at the horses at the racetrack before she understood how “corrupt it is at work.” (She also reminisces about pony rides at the corner of Brentwood and Manchester across from St. Mary Magdalen Church and riding her horse at Otis Brown Stables.)

Unlike Smiley, Jodie is not a horse person. And at first, Jodie feels somewhat disconnected from her luck — it’s something other people tell her that she possesses. She’s lucky to live where she does. She’s lucky that her mom doesn’t make her clear her plate, that her uncle has a big house, that she gets into John Burroughs. Later, she begins to carry those bills around as a talisman.

“[I] made a vow never to spend that roll of two-dollar bills — that was where the luck lived,” Jodie thinks after a narrow miss with a tornado.

It’s John Burroughs that changes Jodie’s life, just as it did Smiley’s. But instead of falling in love with books in high school and becoming a writer, Jodie falls into music. She eventually gets into songwriting, penning tunes as a sophomore at Penn State that launch her career.

One of Jodie’s songs should instantly resonate for St. Louis readers.

“The third one was about an accident I heard had happened in St. Louis,” Jodie recalls in the book, “a car going off the bridge over the River des Peres, which may have once been a river but was now a sewer. My challenge was to make sense of the story while sticking in a bunch of odd St. Louis street names — Skinker, of course, DeBaliviere, Bompart, Chouteau, Vandeventer. The chorus was about Big Bend. The song made me cry, but I never sang it to anyone but myself.”

Throughout the book are Jodie’s lyrics, alongside the events that inspire them. Writing them was a new experience for Smiley, who found herself picking up a banjo gifted by an ex and strumming the few songs she’d managed to learn, as well as revisiting the popular music of the novel’s time — the Beatles (George is Smiley’s favorite), Janis Joplin and the Traveling Wilburys, along with Judy Collins, Joan Baez, Joni Mitchell, and Peter, Paul and Mary — basically “all the folk singers.”

“I really love music, and I do wish I’d managed to practice, which I was always a failure at,” Smiley says. “… I liked that they made up their own lyrics, and they made their own music, and I was impressed by that.”

Both Smiley and Jodie grew up in households replete with record players and music. It’s one of their great commonalities.

A great difference between the two? That would be sex. At one point, Jodie compares her body count, which she calls the “Jodie Club,” with a lover — 25 (rounded up, Jodie notes) to his 150.

“That was a lot of fun,” says Smiley. “She learns a lot from having those affairs, and she enjoys it. She’s careful. And I like the fact that she never gets married, and she doesn’t really have any regrets about that.” (Smiley has been married four times.) “In some sense, her musical career has made her want to explore those kinds of issues of love and connection and sex and the way guys are.”

You can tell Smiley had a good time writing this. After Jodie loses her virginity, she thinks, “The erection had turned into a rather cute thing that flopped to one side.”

“Oh, it was fun,” Smiley confirms. “Sometimes I would say, ‘OK, what can I have Jodie do next? What’s something completely different than what I did when I was her age?’ And then I’d have to think about that and try and come up with something that was actually interesting. I knew that she couldn’t do all the things that I had done, and she had to be kind of a different person than I was. And so I made her a little more independent, and a little more determined.”

click to enlarge VIA THE SCHOOL YEARBOOK Jane Smiley’s high school yearbook photo. In Lucky, Jodie recalls of a classmate, “The gawky girl had stuck her head into a basketball basket, taken hold of the rim, and her caption was, ‘They always have the tall girls guard the basket.'”

Lucky follows Jodie from childhood to into her late 60s. At several points in the novel, she crosses paths with a Burroughs classmate, identified only as the “gawky girl.” Jodie takes note of her former classmate, but she’s not recognized.

Toward the end, Jodie walks into Left Bank Books and sees the gawky girl’s name on the cover of a novel.

“Out of curiosity, I read a few things about the gawky girl. Apparently she really had been to Greenland, and the Pulitzer novel was based on King Lear, which I thought was weird, but I did remember that when we read King Lear in senior English, I hadn’t liked it,” Jodie thinks. “… I remembered walking past her in the front hall of the school, maybe a ways down from the front door. She was standing there smiling, her glasses sliding down her nose, and one of the guys in our class, one of the outgoing ones, not one of the math nerds that abounded, stopped and looked at her, and said, ‘You know, I would date you if you weren’t so tall.'”

Sound familiar? Does it help to know Smiley is 6’2″?

The doppelgangers meet face to face after their 50th Burroughs’ reunion at the Fox and Hounds bar at the Cheshire. To go into what happens next — it’s too much of a spoiler.

“In every book, there’s always a surprise,” Smiley says. click to enlarge ZACHARY LINHARES Smiley enjoys St. Louis place names, and DeBaliviere is one of many in the novel.

Jodie Rattler’s St. Louis

Lucky is a smorgasbord of familiar names and places for St. Louis readers, and picking them out will be a big part of the joy of the book for locals.

“I love many things about St. Louis — not exactly the humidity, but lots of other things,” Smiley says. “One of the things I love is how weird the street names are. So I had to put her in that house on Skinker, and I had to refer to a few other places that are kind of weird. I couldn’t fit them all in.

“But I love the way that those street names and St. Louis are a real mix, and some of them are true French street names. Some of them are true English street names. Like Grav-wah or Grav-whoy” — here she deploys first the French and then the St. Louis version of “Gravois” — “whatever you want to call it, and Clark. It’s just really interesting to look around there and sense all of the different cultures that lived there and went through there.”

Jodie grows up in a house on Skinker near Big Bend. It’s “a pale golden color, with the tile roof and the little balcony,” Smiley writes. Jodie walks through Forest Park and eats at Schneithorst’s. Her mother works at the Muny; she shops at Famous Barr. Her grandfather prefers the “golf course near our house on Skinker,” which must be the Forest Park course. Jodie goes to Cardinals games, the Saint Louis Zoo and Grant’s Farm. She visits and thinks about St. Louis’ parks such as Tilles and Babler. Even the county jail in Clayton gets a mention.

Of course, Chuck Berry shows up several times, first mentioned for getting “in trouble for doing something that I wouldn’t understand.” Later, as Jodie drives by his home, she drops some shade on the county along the way: “Aunt Louise knew where Phyllis Schlafly’s house was, so I drove past there — another reason not to choose Ladue,” she writes.

Jodie and the man who invented rock & roll later meet face-to-face briefly at a festival near San Jose, California. “My favorite parts were getting to walk up to Chuck Berry and say, ‘I’m from St. Louis, too. Skinker!’ and having him reply, ‘Cards, baby!’ and know that no one nearby knew what in the world we were talking about,” Jodie recalls.

Lucky feels like a bit of a members-only club, and here the club is St. Louis. There is barely a page that is without some kind of reference — to the point where one might wonder if non-locals can even keep up. (Though they should rest assured: It’s a good read.)

“I write more or less to do what I want to do, and so I wrote about the things that interested me,” Smiley says. And more than 50 years after she graduated high school and left Webster Groves for Iowa and (briefly) Iceland and California, where she lives today, St. Louis, clearly, qualifies.

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