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Missouri child care deserts include nearly half of kids under 6

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A collaboration between The Missouri Independent and MuckRock

At five months pregnant, Kayla Marmaud started putting her name on waiting lists for child care.

But when her son was born in late 2021, she still hadn’t heard from any daycares. As her maternity leave drew to a close, Marmaud found herself in waitlist limbo.

Leaving the workforce was not an option financially for her or her husband, James. Grandparents were unavailable, and even unlicensed at-home daycares were full. So they contorted their schedules around one another, hurrying out the door when the other entered. She spent the days working as an administrative assistant at a local nonprofit, and her husband worked night and weekend shifts in restaurant management.

The makeshift arrangement ended last August, when one year after entering the waitlists, Marmaud finally found a spot for her then-eight-month-old son in a local daycare.

“Our family was able to navigate the time between my return to work and getting a spot,” she said. “Not all families have that luxury.”

Marmaud lives in St. Joseph, in Buchanan County, in what researchers call a “child care desert” — where there are more than three children ages 5 and under for every licensed child care slot or no licensed slots at all.

Almost half of all children in Missouri ages 5 and under, or about 202,000 kids, now live in child care deserts, The Missouri Independent and MuckRock found as part of a joint investigation, “Disappearing Daycare,” drawing from public records and data provided by the advocacy group Child Care Aware.

Those deserts are particularly concentrated in rural communities. In some ZIP codes, there are more than 20 children for every available seat in a licensed child care facility.

Living in a child care desert can leave parents feeling trapped, Marmaud said, their options severely constrained.

“Once a spot becomes open for a child, you have to take it. This eliminates parent choice in child care for their children,” she said.

ZIP codes alone are an imperfect measure of child care supply because families can drive beyond their own ZIP codes to nearby services, including child care. Still, clusters of ZIP codes characterized as child care deserts are meaningful: They show areas where child care is hardest to come by and driving to a neighboring area may not be possible.

And the fewer child care slots available in one ZIP code, the greater the potential demand on a neighboring ZIP code.

Hundreds of millions of dollars in federal funds have poured into the state to stabilize the child care industry, but the majority of grant money tracked by MuckRock and The Missouri Independent has gone to ZIP codes that aren’t in child care deserts.

Even in areas not considered deserts, where capacity looks plentiful on paper, many providers say waitlists abound.

One reason? They can’t hire enough staff to provide care and are forced to operate below capacity.

Federal pandemic money has helped keep child care providers afloat, but it hasn’t been enough to counter the hemorrhaging of staff from an industry with a median hourly wage of just under $12 in 2021.

If parents do find an open daycare slot, they have to shoulder an expense that can rival the cost of a mortgage or in-state college tuition — often at the point in their careers when they are making the least. For Marmaud, the daycare she eventually found was one of the cheaper options in her area yet it still eats up 17% of her family’s annual income.

The result is a limited set of options for parents of young children and an industry barely held afloat by a massive infusion of federal funds.

“Families are often faced with very difficult choices on what they should do to both be able to support their family and make sure that their children are in the highest quality care,” said Katie Rahn, executive director of the St. Louis advocacy group Gateway Early Childhood Alliance.

Piecemeal child care solutions can disrupt parents’ employment — and sometimes remove a parent from the workforce entirely. The U.S. Chamber of Commerce Foundation found in 2021 that accessibility, quality and cost-related hurdles to child care force many Missouri parents out of the workforce or cause disruptions to their work, costing the state more than $1 billion annually.

Child care’s link to workforce issues has become a touchpoint for Gov. Mike Parson and lawmakers advocating for legislative change.

The governor is pushing several measures this year designed to alleviate the crisis — from expanding low-income public pre-K and tax credits to increasing the state’s subsidy reimbursement to providers that accept the public assistance program.

But each has run into roadblocks in the legislative process, and it’s unclear how much of Parson’s agenda will cross the finish line, despite bipartisan support.

“It would be a first step in what’s needed overall. [They] wouldn’t solve the entire problem,” Rahn said, of the governor’s proposals. “But it would certainly be moves in the right direction.”

Erin Woodiel

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Missouri IndependentKayla Marmaud picks up her 16-month-old son, Finn, from daycare on Monday, April 24, 2023, in St. Joseph, MO.

‘Having to turn people away’

From fall 2019 to fall 2020, as pandemic restrictions caused many facilities to shutter, the total number of active child care programs in Missouri dropped by 24%. That left 80,600 more children in child care deserts than the year before. The number of programs in Missouri has largely recovered to pre-pandemic levels — in part due to the hundreds of millions of dollars in federal pandemic aid directed to Missouri child care.

But access issues remain: There was a lack of child care before the pandemic, and the federal COVID funds are one-time.

Ashlie Marriott, who owns a licensed center for 20 children in the rural northwest Missouri town of Pickering, said she tells parents seeking infant care the wait could be two years. The surrounding ZIP codes have either no child care programs or so many more children than slots that they are classified as child care deserts.

“I get messages every single day asking if I have availability, if I can accept a drop-in, if I can help for a week here, a week there,” she said.

The other providers in the Pickering area, Marriott said, are smaller and in-home, so their spots are typically filled.

“I’ve just been kind of really having to turn people away,” she said, adding that staffing is not the issue in her rural area, but rather a lack of child care facilities. She hopes to secure state funding to build out her facility and serve more kids.

Tara Doba, who runs a 10-child in-home, licensed daycare in Dixon, in Pulaski County, said she is “completely booked” and facing such high demand that when one child is missing for a day, due to illness, “I am usually able to fill it with a drop-in.”

Doba’s ZIP code has a ratio of about 10 children per slot in a cluster of other desert ZIP codes in and near Pulaski County.

Dean Ferguson opened a licensed facility in Shell Knob, in southwest Missouri, in 2021 to try to remedy the lack of licensed facilities in the area. It expanded last year.

At a county and ZIP code level, southwest Missouri is one of the areas in the state with the least child care capacity.

Ferguson’s is the only licensed facility “in 20 miles in every direction,” he said — and he was “fortunate” to find a church willing to provide space without charging him, something many providers struggle to find.

Now, he has 35 children enrolled and a waitlist of 10 infants and one 3-year-old. A lack of options drives many in the region to less-regulated care, Ferguson said.

“In our area down here in Barry County, there are so many unlicensed, unregulated daycares,” he said. “You have so many unlicensed ones that are charging $75 to $100 a week. And parents, honestly, just are not concerned whether the child care space is licensed or not because they’re so desperate for child care.”

Ferguson said he hears about unlicensed facilities in the region where there are far more children per staff member than state regulations allow.

To be exempt from state licensing requirements a facility must fall into one of a few categories — for instance, if they care for six or fewer children or qualify for a faith-based exemption.

Unlicensed facilities are still required to register with the state and meet certain requirements, but some operate under the radar, said Casey Hanson, director of outreach and engagement at the child advocacy nonprofit Kids Win Missouri.

“They still have requirements to meet for registered providers…but the off-the-grid [facilities], there’s no way to track that,” Hanson said “And we definitely hear about that a lot from people that are in those desert communities, is that everything around them is truly off-the-grid child care happening.”

As part of COVID relief packages, hundreds of millions of dollars in federal funds have poured into the state to stabilize the child care industry. Roughly $230 million in funding has been awarded to Missouri through federal COVID-19 relief packages, but the majority of money from several grants created by this funding is going to ZIP codes that aren’t in child care deserts, MuckRock and The Missouri Independent found.

Hanson said rural providers may not have the “administrative capacity” or infrastructure to apply for some of these grants.

Mallory McGowin, a spokesperson for Missouri’s Department of Elementary and Secondary Education, said the relief funding for daycares “were not limited to only child care deserts” and the federal government “encouraged states to distribute funds to programs who continued to operate during and after the pandemic as well as those who were starting up or expanding programs.”

Plenty of slots, but no staff

Particularly in urban areas, child care providers say they have the infrastructure to serve more children but not the staff to do so. As a result, even in non-deserts, families struggle to access care.

“It’s never been super easy [to hire] in child care, but since the pandemic it has gotten exponentially more difficult,” said Megan Huffman, who owns a faith-based child care center, Rising Sun Learning Center, in Kansas City.

Rising Sun has about 90 kids enrolled, though it has the capacity for up to 147. If the facility could hire just two more teachers it could enroll an additional 20 kids, said Jessica Tran, Rising Sun’s director.

The current staffing issues are a variation of a longstanding problem, Rahn, the St. Louis advocate, said.

“Pre-pandemic, we had programs that would have very long waiting lists,” she said. “Unfortunately, we now have programs that still have very long waiting lists, but they could actually take more children in their care if they had teachers to fill classrooms that are currently empty.”

The state had 1,110 fewer child care workers in September of last year than it did pre-pandemic, in February 2020, according to the most recent Bureau of Labor Statistics quarterly census of employment and wages.

Yolanda Nero, president of license-exempt Little Hearts Academy in Kansas City and pastor at the church that houses it, opened the facility in 2021 to respond to need in the community.

Just 12 of 63 slots at the facility are filled, she said, due to difficulty hiring staff — she cited limited compensation and the “burnout rate” of the demanding work.

“It has been a challenge to remain open,” she said.

The field has long struggled with turnover, in part due to the low pay. That problem has been exacerbated by a tight labor market providing higher-wage opportunities in other fields.

“With Walmart and other companies paying $18 and $20, and I can only pay you, if you’re experienced, $17.50,” she said. “Even the inexperienced ones…they want $15 an hour.”

She can’t afford to pay the staff more with the rates she charges to parents, but parents can’t afford to pay higher fees either, leaving everyone in a bind. Nero has received grants from the state’s federal funding, including to provide bonus incentives for staff, and said they have been helpful but are not long-term solutions.

The median hourly pay for a child care worker was just under $12 in 2021, the same as Missouri’s current minimum wage, according to Missouri Economic Research and Information Center’s Occupational Employment and Wage Estimates’ 2021 data.

The long waitlists for families alongside empty classrooms have, for many, signaled a crisis.

“It’s a market failure,” said Hanson of Kids Win Missouri, “when you have the demands, but you can’t really create a supply that’s needed to address it.”

Costs to families are high — the average cost of center-based care for an infant in Missouri was $10,555 as of 2021, according to Child Care Aware. But running a high-quality child care facility is often even more expensive. Providers aren’t generally cashing in, but operating on thin profit margins. Nero’s center, for instance, hasn’t yet broken even.

Most revenue goes to overhead costs, including staff payroll. State regulations require certain ratios of staff to children, such as one adult per four kids age 0 to 2, making caring for infants particularly labor and cost-intensive.

Gina Adams, an expert on child care policy at Washington, D.C.-based think tank Urban Institute, said the gap between what parents can pay and the true cost of providing high-quality care demands public investment.

“It is just not tenable, because parents are paying most of the costs and it constrains the ability of providers to pay their staff decent wages, to be able to invest in curriculum, and all the kinds of things we’d want,” she said, “because [providers] have this absolute downward pressure constraining their ability to charge what it would cost to do the best quality care.”

Those constraints on quality are worse in “communities with lower incomes, rural communities, all those communities that have less resources,” she said.
“The system relying as heavily as it does on private-pay parents does not work,” she added, later continuing: “This is something that is a public good, so the public sector has to step up.”

Clara Bates

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Missouri Independent Child care advocates gathered March 21, 2023 in the Capitol to push legislators for investments

A lack of infant care

Some providers, to accommodate reduced staffing, have opted to reduce the most labor-intensive service they provide: Child care for infants.

That’s one explanation Lindsay Brand, of St. Louis County, heard when she struggled to find affordable, part-time care for her infant son, who was born in May 2021.

“I signed up [for waitlists] before he was born, but maybe I should have signed up when I was thinking about getting pregnant,” she laughed, “because it was like, ‘maybe in two years.’ But then…he won’t be an infant. He’ll be in the toddler room. Do I start at the bottom again?”

When she called one child care center to check on her waitlist status, they told her “they didn’t have an infant room anymore because they couldn’t hire anyone for it,” she said, “so that was like a dead waitlist.” Other options were so expensive as to be out of the question — roughly half her take-home pay.

Brand, an instructor at a local community college, had hoped to return to in-person teaching that fall. Instead, work and child care blended together. She opted to teach her classes remotely and asynchronously for the year.

“It was just a lot to do full-time child care and also teach full time, because it was two jobs,” she said.

Her child is now in part-time care at a babysitter’s home, but it is a 30-minute drive. She hopes he’ll get off a waitlist to go to a nearby daycare in August — then, her son will be two and she expects more slots to be available, since care for toddlers is not as scarce as for infants.

Government funding to help start new or expand existing child care programs during the pandemic may not do much to help those specifically looking for infant care. Applicants for Missouri’s child care grants estimated they’d add about twice as many slots for preschoolers (about 9,460) than for infants (about 4,070), according to MuckRock and The Missouri Independent’s analysis of grant applications.

Derailed plans

Nesha Wright, who works as a mental health professional at a school in Jefferson City, gave birth late last year and started looking for child care shortly before she got off maternity leave — only to find facilities either with waitlists of over a year or out of reach financially.

Ultimately, Wright’s mother decided to retire two years early to care for the newborn full time.

It could be temporary, Wright hoped: Perhaps her mother could go back to work part-time once they found care. “But we still haven’t been able to find anything at this point.”

Wright applied for Early Head Start, the federal early childhood program for those below the poverty line, which also accepts a small number of those above the income cutoff — her family makes too much to qualify. She remains on the waitlist for Early Head Start.

“I’m kind of at the point where I make too much for Early Head Start, but I feel like I don’t make enough to be paying $1,250 or $1,650…monthly for child care.

“I mean, thank God for my mom. It just sucks that she had to kind of derail her plans.”

Wright didn’t expect the process of finding care to be so difficult.

“I know you probably hear ‘well, you shouldn’t have a baby if you aren’t ready to take care of a baby,’ but it’s like: Okay, well, we’re here now so what can we do?”
This story was originally published by the Missouri Independent, in collaboration with MuckRock

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Laclede’s Landing is moving from nightlife hub to neighborhood

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Laclede’s Landing has cycled through many identities throughout the history of St. Louis. Now, some people involved with its redevelopment in recent years hope the landing’s next one will be as a residential neighborhood.The small district tucked directly north of the Gateway Arch National Park has quietly undergone a massive redevelopment with more than $75 million pouring into the rehabilitation of many of the historic buildings at the landing.“We are starting to feel that momentum, especially in the last really 60 days. Things have drastically changed around here,” said Ryan Koppy, broker and owner of Trading Post Properties and the director of commercial property for Advantes Group.Advantes alone shouldered the rehabilitation of six of the historic buildings, which now sport a mix of apartments and retail or office space, he said. Four of those buildings are completed, and of the 119 apartments available, about 90% are filled, Koppy said.“It just shows you what kind of demand we do have for the area,” he said. “We’re separated from downtown a little bit, and for the tenants, their local park where they’re walking their dogs, it’s a national park.”

Sophie Proe

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St. Louis Public RadioInterior of the Peper Lofts at Laclede’s Landing on Aug. 16

Another 40 apartments are set to come online next year along with some retail space, Koppy said. He added he’s noticed a wide range of people who are considering and moving into the newly refinished apartments.“It’s very mixed, surprisingly,” Koppy said. “We have a lot of young professionals, maybe on their second job out of [university], we have some empty nesters too.”Part of the newfound momentum comes from a new market, the Cobblestone, and coffee shop, Brew Tulum, opening recently and bringing more foot traffic to the area, said Brandyn Jones, executive director of the Laclede Landing Neighborhood Association. She added that more apartments are set to come online within the next few months.“We have a great riverfront area here and so there are plans in the works to activate those spaces, bring people in,” she said.That could be more daytime events, like a farmers market, music festivals (one of which is happening this weekend) or just bringing in food trucks to Katherine Ward Burg Garden, Jones said. It’s a departure from the identity the district held a few decades ago as a hub for nightlife and entertainment.“That’s part of what connects so many people to Laclede’s Landing,” Jones said. “It’s important to tell the story of where we’re evolving. It won’t be what it was in the same exact way, but it will still be fun, and it can be fun early morning, midday or late night.”It’s a view shared by Koppy.“It’s grown up, it’s a bit mature,” he said. “We’re not going to have 3 a.m. bars here anymore because we have residents here.”Koppy added that Advantes is joined by other developers working to rehabilitate buildings in the district.“We all work in unison,” he said. “If I get a call and [a client is] asking for something and maybe the square foot doesn’t really match up with what I have available, but I know it matches up over there, they’re getting a very warm welcome and introduction.”

Sophie Proe

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St. Louis Public RadioRyan Koppy looks out the window of Brew Tulum Specialty Coffee Experience on Aug. 16 at the Cobblestone on Laclede’s Landing in downtown St. Louis.

This push toward making Laclede’s Landing a residential neighborhood also comes alongside broader conversations about the future of downtown St. Louis more generally as it looks to move away from a dependence on office space. While the city as a whole continues to lose population, downtown added about 1,700 people between 2010 and 2020, according to U.S. Census data.“It’s been wonderful timing to have all that going on, that stress that you’re not just in downtown to work has been critical to part of this rejuvenation and energy down here,” Jones said. “Sometimes people forget Laclede’s Landing is part of downtown, really the original downtown.”And success in the small district could spread beyond its small confines and potentially serve as a model for success, Koppy added.“My idea is, if we could get all the great things of St. Louis coming in through here, we can eventually spread that,” he said. “We understand we can’t change the whole world, but we’ll just make the effort to try and change the world around us.”

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St. Louis barbecue festival Q in the Lou canceled

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The largest barbecue competition and tasting festival in St. Louis, Q in the Lou, has been canceled. The event was planned for Sept. 6-8, but organizers decided to cancel it due to poor ticket sales and insufficient corporate sponsorship.The traveling festival had low attendance in Denver last week, said Sean Hadley, a festival organizer.“We made the tough decision to cancel Q in the Lou,” said Hadley. “We’re seeing a lack of support … it’s just not there.”The traveling event first came to St. Louis in 2015 and drew hundreds of people to downtown St. Louis for barbecue, live music and a “major party.”“It shut down out of the blue … I’ve gone every year,” said Scott Thomas, local chef and food blogger. “It’s brilliant. You could take a tour of some really amazing barbecue restaurants and competition barbecue guys all in one place.”In a late July news conference, city officials touted Q in the Lou as a significant tourism draw and a boost for downtown revitalization.“Bringing a signature national festival back to downtown St. Louis … is making us stronger,” Greater St. Louis Inc. CEO Jason Hall said then.Less than a month later, ticket holders from every festival stop learned they’d be refunded. On Monday, organizers privatized the Q in the Lou website and deleted its social media accounts.Conner Kerrigan, a spokesperson for Mayor Tishaura Jones’ office, said city officials are disappointed the festival won’t be back this year.“St. Louis knows how to throw a festival … bringing people together to celebrate our culture is one of the things we do best as a city,” Kerrigan said in a statement. “Should Q in the Lou try to come back next year or any year after that, they’ll have the support of the Mayor Jones administration.”

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Alton’s Jacoby Arts Center likely to relocate permanently

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The Jacoby Arts Center, a staple of Alton for many in the Metro East community, will likely permanently move out of its downtown building at the end of September.Its departure and relocation from the historic building that the arts center has called home for the past 20 years has created a tense situation for not only the arts center’s supporters but also the local development company working to revitalize Alton’s downtown that owns the building.“It’s an unfortunate situation,” said Chad Brigham, the chief legal and administrative officer with AltonWorks, the real estate company owned by another prominent local attorney working to develop the town. “I wish there wasn’t misunderstanding and disappointment in the community. It’s difficult sometimes to clarify that.”When news of the likely departure spread in June via a letter from the Jacoby Arts Center to its supporters, an outcry on social media quickly followed. Some assumed it would be the end of the arts center.“There’s a lot of feelings right now that I think are more about the building itself than there are about the Jacoby Arts Center,” said Valerie Hoven, vice president and treasurer of the nonprofit arts center’s board.For supporters of the Jacoby, moving from the building and likely never returning will be a sad affair. Exactly what’s next for the arts center remains unclear. However, Jacoby board members believe this will not be the end of the organization. It will likely look different though.

Sophie Proe

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St. Louis Public RadioThe Jacoby Arts Center earlier this month in downtown Alton

Sophie Proe

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St. Louis Public RadioThe Alton-based Jacoby Arts Center features more than 75 St. Louis-area artists and their work.

The history of the buildingFirst dubbed the Madison County Arts Council, the nonprofit arts center renamed itself after the Jacoby family gave it the current building in 2004. AltonWorks founder John Simmons purchased the Jacoby Building in September 2018, according to property records from the county.Managing the large building, at 627 E. Broadway, became too expensive for the Jacoby Arts Center. In 2018, the organization approached Simmons to purchase it, said Dennis Scarborough, a past president of the board and a downtown business owner.“Of course, it sounded really, really good,” Scarborough said of Simmons’ purchase. “He took over the insurance, property taxes, all those kinds of things that were really, really getting into our budget, and he rented it to us at a fair price.”The two parties entered into a lease agreement initially for five years. Since then, Simmons has spent more than $1 million in upkeep, taxes, insurance and more on the building. The lease has been extended twice until the end of September this year.Over the six years, Jacoby paid $1,500 per month, which covered a portion of the utilities.“It’s been wonderfully generous of AltonWorks,” Hoven said.Because the building is aging and needs repairs, Brigham with AltonWorks and those connected to the arts center have long known the Jacoby Arts Center would need to relocate — at least temporarily.

Renovations on the Jacoby building will begin this fall. They’ll include modernizing the aging building, repairing the old elevator and putting in apartments on the second and third floors.

News of the likely departure and controversyRenovations will begin this fall. They’ll include modernizing the aging building, repairing the old elevator and putting in apartments on the second and third floors.In May, it became clear that a preliminary proposal for the arts center to return to the building after renovations finished in 2026 would not work for them, Hoven said.She estimates the first floor and basement of the Jacoby Arts Building span roughly 20,000 square feet.

Chad Brigham is a business and legal adviser for AltonWorks.

AltonWorks’ initial idea floated to the arts center would only provide 2,553 square feet, according to both Hoven and Brigham. While the board calculated the price for the new space to be at least triple the current payment, Brigham said there was never a specific price discussed.“No discussion in terms of actual rent price,” he said.AltonWorks didn’t make a specific rent offer because the organization doesn’t even know itself, Brigham said.In addition to cash from John Simmons, there will be loans, tax increment financing and state tax credits to cover the $20 million in building renovations. The entities financing the cost of renovations will also help determine the rent when the construction is complete, Brigham said.Regardless, the price required to return will be too much for the arts center to pay, Hoven said. Also, the organization would like to maintain the many programs it offers to the community — a rentable event space, a dark room and a clay studio, for example — in the future.“For us to really meet the needs of the community and be sustainable, we need a space where we can offer some of those programs — the artists’ shop, and other spaces that offer some kind of income as well — so that we can continue to give money back to the community,” she said.AltonWorks offered at least two other locations as possible alternatives from their vast stock of buildings along Broadway to house the arts center during the roughly 18 months of construction. Those alternatives came with similar deals requiring the Jacoby to cover only utilities, Brigham said.“We did put in a great deal of work behind the scenes in trying to find an interim solution,” Brigham said. “We wanted to find a place for them to go, where it was easy for them to continue programming, whether it’s 100% of it or some portion of it, that would work for them.”Initially, the arts center hoped to keep the basement during the renovations, Hoven said. When it became clear the preliminary offer to return was for much less space than the arts center anticipated, the letter to the community was sent.“The letter that came out was merely showing our surprise,” Hoven said. “Don’t misinterpret it as panic. Don’t misinterpret it as desperation.”

Sophie Proe

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St. Louis Public RadioA smorgasbord of radios are displayed at the Jacoby Arts Center in Alton.

The commentary on social media was passionate. Some critics of AltonWorks said the organization has good intentions but hasn’t executed those plans. Others said Jacoby hasn’t planned well enough for the future.For Brigham and the AltonWorks team, some of the criticism has been disappointing.“I thought that there were some decent solutions. Were they perfect? No, but they were very, I thought, very good solutions,” he said. “And the fact that it has come to the point that it is right now is a bit hurtful.”AltonWorks remains committed to the arts, Brigham said. John Simmons remains one the largest donors of the Jacoby Arts Center, Hoven and Brigham said.“I don’t think there’s ever been a question of our support of that organization — of our affinity for that organization,” Brigham said. “While some of the events were unfortunate, some of them were encouraging. The entire community rallied around the Jacoby Arts Center. That’s a good thing. It’s a good thing to have a love for the arts like that in a downtown community.”Sara McGibany, the executive director of Alton Main Street, an organization aimed at preserving the town, said AltonWorks should be commended for its vision. In many ways, her organization and AltonWorks share a vision for a thriving downtown.Even though AltonWorks hosts public meetings, McGibany believes the current situation lacks true community engagement.“We really think that if AltonWorks can get past some of the communication hurdles — and harness the community’s passion and shift to more of a bottom-up decision-making process that centers on community input — then we can turn around the growing sentiment of distrust that’s happening now,” McGibany said.Scarborough, the past board president and downtown business owner, echoed the praise for Simmons and his support of the Jacoby Arts Center. With the Jacoby likely moving, the future looks bleak, though.“It’s a community arts center that does a lot of good work,” Scarborough said. “The community is going to suffer, and they’re going to be missed by the community if they’re not there.”

Eric Lee

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St. Louis Public RadioShalanda Young, director of the federal Office of Management and Budget, talks to Illinois U.S. Rep. Nikki Budzinski, D-Springfield, during a tour of a construction project by AltonWorks last April in Alton. AltonWorks, who is building the LoveJoy Apartment Complex is receiving over $1 million in federal funding.

What does the future hold?AltonWorks will continue forging ahead with its ambitious plans to revitalize Alton. The organization hopes to conclude construction on the Wedge Innovation Center, which will have a restaurant, retail and co-working space, this fall. Lucas Row, a mix of apartments and retail space, is scheduled to be completed next spring.The remainder of the arts and innovation district, currently named after the Jacoby, will also move forward.“I believe in two years it’s going to be a much different place,” Brigham said of Alton. “It’s going to be thriving. It’s going to be new businesses, new tenants — and it’s going to be a nice proof of concept for what you can do in a small community like that.”The Jacoby board recently formed a strategic planning committee. Its task: figuring out what’s next for the arts center. The committee will reevaluate what space the Jacoby needs, what programs it wants to offer to the community and how they want to make that a reality.Keeping the arts center is essential for board members like Hoven. In her experience, it’s been a place where local aspiring artists get their start.“Art is one of the only ways to show your true authentic self,” Hoven said. “And there’s more people than I realized who do not get that opportunity every day.”The Jacoby will shut its doors to pack over the next month. Hoven said she’s optimistic the board will have concrete plans by the end of September when their lease officially ends.“Alton is such a fabulous and supportive community,” she said. “We still have lots of great options, so that the Jacoby Arts Center will continue to thrive in Alton and beyond.”

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