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People’s Joy Parade LLC Orders Cherokee Nonprofit to Cease and Desist

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The nonprofit seeking to continue the People’s Joy Parade on Cherokee Street has been slapped with a letter ordering it to cease and desist.The letter comes from People’s Joy Parade LLC, an organization started by a trio of longtime parade organizers and registered with the state one year ago. Its lawyer says it owns the name “People’s Joy Parade” — and will do what it takes to protect it, including blocking the Cherokee Street Foundation from continuing the event on its usual date (Cinco de Mayo) and location (Cherokee Street).For a parade designed to bring joy and build community, the bitter tug-of-war may seem more than a bit ironic. But the future of the event now hangs in the balance.It’s a future many south city residents feel invested in. Since 2009, the weird and wacky parade with its ragtag bands, quirky costumes and community spirit has been a key part of Cherokee Street’s Cinco de Mayo celebration. That’s why neighbors were shocked to see posts in neighborhood Facebook groups on March 6, announcing, “Cinco de Mayo canceled the People’s Joy Parade.”Emily Thenhaus, executive director of the Cherokee Street Foundation, which mounts Cinco de Mayo, says the nonprofit did no such thing. She told the RFT last week that the announcement followed a dispute between the nonprofit and the People’s Joy Parade LLC that began last year. Thenhaus says the foundation was surprised to see some of the parade’s longtime organizers, including its principal coordinator Jenny Callen, create an LLC under its name last March. And soon after, the LLC posted on social media that the event would be moving away from Cherokee Street. It took the foundation hiring the LLC to run the parade to forge a fragile peace.This year, Thenhaus says, the foundation had decided not to pay the LLC to run the parade and instead give grants directly to participating artists. When it shared that news last week, the LLC responded the next day by putting up the cancellation notices. click to enlarge THEO WELLING A scene from the 2023 People’s Joy Parade.
Thenhaus vowed last week that the parade would go on, same time, same place. But that situation has gotten more complicated. Earlier this week, a lawyer representing People’s Joy Parade LLC wrote a letter to Thenhaus and also shared it with the RFT. In it, attorney Steven Hoffmann wrote, “Let me be clear: the People’s Joy Parade will not be subject to a hostile takeover by the Foundation, and you are hereby directed to cease and desist any and all activities that constitute trade name, trademark, and/or servicemark infringement, as described below.”Hoffmann continued, “In short, the People’s Joy Parade is not an asset that the Foundation or Cinco de Mayo may own, control, or use to secure grants for itself. This letter is an attempt to make clear that unfair and underhanded tactics will not be tolerated, and that the People’s Joy Parade and its legal entity, People’s Joy Parade, LLC, reserve to themselves the continuing, exclusive right to use and control all of their logos, trade marks, service marks, trade names, and other intellectual property. Accordingly, they may take any appropriate actions in the future to secure these rights in accordance with law.” In a statement to the RFT on Wednesday, the Cherokee Street Foundation says it’s been surprised by attempts to wrest control of an event that’s long been a collaboration between artists and Cherokee Street residents and business owners. “How could a few individuals unilaterally decide to take a parade away from the people and place in which it was started?” their statement asks.The statement continues, “The Cherokee Street Foundation is not trying to own the parade; we don’t believe it can be owned. Anyone is welcome to celebrate the People’s Joy. We are simply changing the way our organization supports this grassroots effort by offering direct grants to artists and parade participants instead of providing funding exclusively for Peoples Joy Parade, LLC. We believe this is a more equitable and transparent use of funds that will result in broader participation and future stability for the parade.”Hoffmann’s letter, however, says the dispute is about more than funding. He writes that there has been a “breakdown in communication between the People’s Joy Parade organizers and the Cinco de Mayo organizers” that has been “centered around the People’s Joy Parade’s request for an altered parade route that would be more accessible to disabled persons. The expression of these concerns seems to have morphed into an ‘us versus them’ attitude on the part of the Foundation. That is regrettable.” Asked for details, Callen explains that the route Cinco de Mayo put in place in 2022 without others’ input “has an incline up a hill that prevented artists who use wheelchairs and other differently abled persons from completing the parade route.” Last year, as a compromise, the foundation offered a golf cart for those with mobility issues.Callen also writes that the Cherokee Street Foundation’s decision to seek funding for the parade from the Missouri Arts Foundation came without her group’s knowledge — and presented problems. The LLC had hoped to apply for similar grants. “To our knowledge, we cannot apply for these grant opportunities if Cherokee Street Foundation has already applied for grant funding for People’s Joy Parade,” she writes.In his letter, Hoffmann notes that his clients found Thenhaus’ comments to the RFT last week “demeaning and hurtful.” At this point, it’s hard to imagine the two sides working through their disagreement — and that has people who love the parade and the creativity it fosters worried.Even so, a person who was there at the parade’s inception sees a simple solution. As the RFT reported in 2015, the People’s Joy Parade began after St. Louis-based artist Sarah Paulsen was inspired by a parade she witnessed in Peru. Paulsen and Lyndsey Scott, a staffer at the Cherokee-based Community, Arts & Movement Project, or CAMP, brought together artists and other community members to try something with a similar community feeling.Paulsen notes that some key players at the Cherokee Street Foundation, including board member Jason Deem, were part of the planning from the beginning. The foundation, in its various permutations, has long handled everything from permits to barricades. “I don’t want them to be painted as villains in this story,” she says.Paulsen also credits Callen for her work to keep the parade going all these years: “She’s done a great job sustaining it.” But she doesn’t necessarily buy into Callen’s plans for the future: “To me, I just think if Jenny needs to own the name and do this in other places, that’s not the spirit of this. Cherokee Street should still be able to have a parade.” Paulsen, for one, plans to keep going and participating, despite the call to cease and desist.She adds that if Callen insists on owning the name, maybe the parade should just continue without it. “The parade was never just a name. It was about the bands who showed up and the people who showed up and rejoiced with each other, being fabulous in the street. That’s the point. Not the name.”
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Five Fun Facts About Busch Stadium You Didn’t Know

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When baseball fans roll into St. Louis, Busch Stadium often tops their must-see list. But this iconic ballpark has more hidden gems beyond baseball — and even beyond its souvenir shops and good hotdogs. Here’s a lineup of interesting facts that’ll make you the MVP in Busch Stadium trivia.

From Ballpark to Brewing Brand Deal

A 1900 postcard showing the Oyster House of Tony Faust, founder of the brewing firm | Courtesy Anheuser-Busch.

Busch Stadium has a past that’s more refreshing than a cold beer. Before becoming the shrine of Cardinals baseball, it was a multipurpose park called Sportsman”s Park in 1953. Anheuser-Busch, the brewing giant that owned the Cardinals for a time, purchased the stadium and called it Busch Stadium.

Talk about brewing a partnership with a home run!

Museum for Baseball Maniacs

One can explore unique stadium models, step into the broadcast booth to relive Cardinals’ historic moments and hold authentic bats from team legends in this Museum | Courtesy Cardinals Nation

The St. Louis Cardinals Hall of Fame and Museum is an 8,000-square-foot tribute to baseball’s rich history. Opening on the Cardinals’ 2014 Opening Day, this shrine charts the team’s stories from its 1882 beginnings when it was still called the American Association Browns. Here, you can revel in the team’s 11 World Series Championships and 19 pennants. And if you’re feeling adventurous, watch the game from the museum’s roof—the Hoffmann Brothers Rooftop—complete with a full-service bar and an all-you-can-eat menu. It’s like VIP seating, but with more hot dogs.

Even the Fans Break World Records

Busch Stadium is more than a ballpark; it’s a record-breaking arena.

In one memorable event, Nathan’s Famous set a Guinness World Record for the most selfies taken simultaneously—4,296, to be exact. Just imagine trying to squeeze all those selfies into a single frame!

Not to be outdone, Edward Jones and the Alzheimer’s Association formed the largest human image of a brain on the field in 2018. With 1,202 people, the image was like a giant, multi-colored brain freeze.

1,202 people gathered in centerfield at Busch Stadium to form a multi-coloured brain image | Screenshot from Guinness World Records.

The MLB Park in Your Backyard

Are you an avid Cardinals fan, thinking about living near the stadium? The cost of living in the area might be in your favor.

A 2017 study by Estately.com shows that media prices for homes around Busch Stadium is the fourth least expensive among around 26 major MLB stadiums. When San Francisco Giants fans have to pay up $1,197,000 that year for the same convenience of catching a game at a walking distance, Cardinal fans can snag real estate at only $184,900. If that’s not a walk-off win of a deal, we’re not sure what is.

Big Cleats to Fill as Busch Stadium Eyes Expansion

Those wanting to invest in property near Busch Stadium better get it while it’s still affordable. Rumor has it Busch Stadium could soon expand. That rumor has been going around for three decades since talks to raise public money allegedly started. We’ll believe it when we see it.

According to Cardinals owner Bill DeWitt III, plans are likely to mirror recent projects for the Milwaukee Brewers and Baltimore Orioles, with price tags hovering around $500 to $600 million. But the real investment is still up for debates pending a concrete cost-benefit analysis on the stadium’s surrounding area.

So the next time you kick back with a cold beer and catch a game at Busch Stadium, be in awe of the fact there’s more to the place than what meets the batter’s eye. Pitch these interesting facts at trivia night or to your Hinge date who’s new in town. Who knows – you might just win a home run beer.

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Nashville Police Officer Arrested for Appearing in Adult Video

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A Nashville police officer, Sean Herman, 33, has been arrested and charged with two counts of felony official misconduct after allegedly appearing in an adult video on OnlyFans while on duty. Herman was fired one day after detectives became aware of the video last month.

The video, titled “Can’t believe he didn’t arrest me,” shows Herman, participating in a mock traffic stop while in uniform, groping a woman’s breasts, and grabbing his genitals through his pants. The officer’s face is not visible, but his cruiser, patrol car, and Metro Nashville Police Department patch on his shoulder are clearly visible.

The Metro Nashville Police Department launched an investigation immediately upon discovering the video. The internal investigation determined Herman to be the officer appearing in the video. He was fired on May 9 and arrested on June 14, with a bond set at $3,000.

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Jane Smiley’s New Novel, Lucky, Draws on Her Charmed St. Louis Childhood

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Like any good St. Louisan, Jane Smiley has an opinion on the high school question.

“If you ask somebody in St. Louis, ‘Where did you go to high school’ — because each school is so unique, you do get a sense of what their life was like and where they live,” says the John Burroughs graduate. “Where are you from? What do you like? And, you know, the answer is always interesting.”

That’s pretty much what Jodie Rattler, the main character of Smiley’s latest novel, Lucky, thinks.

“School, in St. Louis, is a big question, especially high school,” Rattler muses toward the start of the story. “… My theory about this is not that the person who asks wants to judge you for your socioeconomic position, rather that he or she wants to imagine your neighborhood, since there are so many, and they are all different.”

This parallel thought pattern is even less of a coincidence than the author/subject relationship implies. Lucky, which Alfred A. Knopf published last month, is nominally the story of Jodie, a folk musician gone fairly big who hails from our fair town. But the book is more than just its plot: It’s an ode to St. Louis and an exploration of the life Jane Smiley might have lived — if only a few things were different.

The trail to Lucky started in 2019, when Smiley returned here for her 50th high school reunion and agreed to a local interview. The radio host asked why she’d never set a novel in St. Louis.

“I thought, ‘Boy, why haven’t I done that?'” Smiley remembers. “And so then I thought, ‘Well, maybe I should think about it.’ And I decided since I love music, and St. Louis is a great music town, that I would maybe do an alternative biography of myself if I had been a musician, and of course I would say where she went to [high] school. So that’s what got me started. And the more I got into it, the more I enjoyed it.” click to enlarge DEREK SHAPTON Jane Smiley rocketed to literary stardom after winning the Pulitzer Prize for fiction for A Thousand Acres. She now has more than 25 books to her name.

The Life Jane Smiley Didn’t Live

Jane Smiley has always felt really lucky.

First, there was her background: She grew up with a “very easygoing and fun family.” Growing up in Webster Groves, she enjoyed wandering through the adjacent neighborhoods and exploring how spaces that were so close together could have such different vibes.

Then there was her career, which kicked into gear when she was 42 with the publication of A Thousand Acres, a retelling of King Lear set on a farm in Iowa. It won the National Book Critics Circle Award for fiction in 1991 and the Pulitzer Prize for fiction in 1992. It became a movie and, two years ago, an opera. Since then, she’s been steadily publishing and now has more than 25 books to her name.

“I was lucky in the way that my career got started,” Smiley says. “It was lucky in a way that it continued. I was lucky to win the Pulitzer. And I really enjoyed that. I said, ‘OK, I want to write about someone who’s lucky, but I don’t want it to be me. Because I want to contemplate the idea of luck, and see how maybe it works for somebody else.'”

click to enlarge

Both the book, and Jodie’s good luck, start at Cahokia Downs in 1955. Jodie’s Uncle Drew, a father stand-in, takes her to the racetrack and has her select the numbers on a bet that turns his last $6 into $5,986. She gets $86 of the winnings in a roll of $2 bills.

Smiley, a horse lover throughout her life, used to love looking at the horses at the racetrack before she understood how “corrupt it is at work.” (She also reminisces about pony rides at the corner of Brentwood and Manchester across from St. Mary Magdalen Church and riding her horse at Otis Brown Stables.)

Unlike Smiley, Jodie is not a horse person. And at first, Jodie feels somewhat disconnected from her luck — it’s something other people tell her that she possesses. She’s lucky to live where she does. She’s lucky that her mom doesn’t make her clear her plate, that her uncle has a big house, that she gets into John Burroughs. Later, she begins to carry those bills around as a talisman.

“[I] made a vow never to spend that roll of two-dollar bills — that was where the luck lived,” Jodie thinks after a narrow miss with a tornado.

It’s John Burroughs that changes Jodie’s life, just as it did Smiley’s. But instead of falling in love with books in high school and becoming a writer, Jodie falls into music. She eventually gets into songwriting, penning tunes as a sophomore at Penn State that launch her career.

One of Jodie’s songs should instantly resonate for St. Louis readers.

“The third one was about an accident I heard had happened in St. Louis,” Jodie recalls in the book, “a car going off the bridge over the River des Peres, which may have once been a river but was now a sewer. My challenge was to make sense of the story while sticking in a bunch of odd St. Louis street names — Skinker, of course, DeBaliviere, Bompart, Chouteau, Vandeventer. The chorus was about Big Bend. The song made me cry, but I never sang it to anyone but myself.”

Throughout the book are Jodie’s lyrics, alongside the events that inspire them. Writing them was a new experience for Smiley, who found herself picking up a banjo gifted by an ex and strumming the few songs she’d managed to learn, as well as revisiting the popular music of the novel’s time — the Beatles (George is Smiley’s favorite), Janis Joplin and the Traveling Wilburys, along with Judy Collins, Joan Baez, Joni Mitchell, and Peter, Paul and Mary — basically “all the folk singers.”

“I really love music, and I do wish I’d managed to practice, which I was always a failure at,” Smiley says. “… I liked that they made up their own lyrics, and they made their own music, and I was impressed by that.”

Both Smiley and Jodie grew up in households replete with record players and music. It’s one of their great commonalities.

A great difference between the two? That would be sex. At one point, Jodie compares her body count, which she calls the “Jodie Club,” with a lover — 25 (rounded up, Jodie notes) to his 150.

“That was a lot of fun,” says Smiley. “She learns a lot from having those affairs, and she enjoys it. She’s careful. And I like the fact that she never gets married, and she doesn’t really have any regrets about that.” (Smiley has been married four times.) “In some sense, her musical career has made her want to explore those kinds of issues of love and connection and sex and the way guys are.”

You can tell Smiley had a good time writing this. After Jodie loses her virginity, she thinks, “The erection had turned into a rather cute thing that flopped to one side.”

“Oh, it was fun,” Smiley confirms. “Sometimes I would say, ‘OK, what can I have Jodie do next? What’s something completely different than what I did when I was her age?’ And then I’d have to think about that and try and come up with something that was actually interesting. I knew that she couldn’t do all the things that I had done, and she had to be kind of a different person than I was. And so I made her a little more independent, and a little more determined.”

click to enlarge VIA THE SCHOOL YEARBOOK Jane Smiley’s high school yearbook photo. In Lucky, Jodie recalls of a classmate, “The gawky girl had stuck her head into a basketball basket, taken hold of the rim, and her caption was, ‘They always have the tall girls guard the basket.'”

Lucky follows Jodie from childhood to into her late 60s. At several points in the novel, she crosses paths with a Burroughs classmate, identified only as the “gawky girl.” Jodie takes note of her former classmate, but she’s not recognized.

Toward the end, Jodie walks into Left Bank Books and sees the gawky girl’s name on the cover of a novel.

“Out of curiosity, I read a few things about the gawky girl. Apparently she really had been to Greenland, and the Pulitzer novel was based on King Lear, which I thought was weird, but I did remember that when we read King Lear in senior English, I hadn’t liked it,” Jodie thinks. “… I remembered walking past her in the front hall of the school, maybe a ways down from the front door. She was standing there smiling, her glasses sliding down her nose, and one of the guys in our class, one of the outgoing ones, not one of the math nerds that abounded, stopped and looked at her, and said, ‘You know, I would date you if you weren’t so tall.'”

Sound familiar? Does it help to know Smiley is 6’2″?

The doppelgangers meet face to face after their 50th Burroughs’ reunion at the Fox and Hounds bar at the Cheshire. To go into what happens next — it’s too much of a spoiler.

“In every book, there’s always a surprise,” Smiley says. click to enlarge ZACHARY LINHARES Smiley enjoys St. Louis place names, and DeBaliviere is one of many in the novel.

Jodie Rattler’s St. Louis

Lucky is a smorgasbord of familiar names and places for St. Louis readers, and picking them out will be a big part of the joy of the book for locals.

“I love many things about St. Louis — not exactly the humidity, but lots of other things,” Smiley says. “One of the things I love is how weird the street names are. So I had to put her in that house on Skinker, and I had to refer to a few other places that are kind of weird. I couldn’t fit them all in.

“But I love the way that those street names and St. Louis are a real mix, and some of them are true French street names. Some of them are true English street names. Like Grav-wah or Grav-whoy” — here she deploys first the French and then the St. Louis version of “Gravois” — “whatever you want to call it, and Clark. It’s just really interesting to look around there and sense all of the different cultures that lived there and went through there.”

Jodie grows up in a house on Skinker near Big Bend. It’s “a pale golden color, with the tile roof and the little balcony,” Smiley writes. Jodie walks through Forest Park and eats at Schneithorst’s. Her mother works at the Muny; she shops at Famous Barr. Her grandfather prefers the “golf course near our house on Skinker,” which must be the Forest Park course. Jodie goes to Cardinals games, the Saint Louis Zoo and Grant’s Farm. She visits and thinks about St. Louis’ parks such as Tilles and Babler. Even the county jail in Clayton gets a mention.

Of course, Chuck Berry shows up several times, first mentioned for getting “in trouble for doing something that I wouldn’t understand.” Later, as Jodie drives by his home, she drops some shade on the county along the way: “Aunt Louise knew where Phyllis Schlafly’s house was, so I drove past there — another reason not to choose Ladue,” she writes.

Jodie and the man who invented rock & roll later meet face-to-face briefly at a festival near San Jose, California. “My favorite parts were getting to walk up to Chuck Berry and say, ‘I’m from St. Louis, too. Skinker!’ and having him reply, ‘Cards, baby!’ and know that no one nearby knew what in the world we were talking about,” Jodie recalls.

Lucky feels like a bit of a members-only club, and here the club is St. Louis. There is barely a page that is without some kind of reference — to the point where one might wonder if non-locals can even keep up. (Though they should rest assured: It’s a good read.)

“I write more or less to do what I want to do, and so I wrote about the things that interested me,” Smiley says. And more than 50 years after she graduated high school and left Webster Groves for Iowa and (briefly) Iceland and California, where she lives today, St. Louis, clearly, qualifies.

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